Download CV (PDF)

Education

2008 – 2016
Master Class (Textuelle Bildhauerei Klasse), Prof. Heimo Zobernig, Academy of Fine Arts, Vienna, AT

2005 – 2007
Bachelor of Communication Design, Billy Blue School of Graphic Arts, Sydney, AU

2003 – 2004
Design Fundamentals Certificate II, Brookvale TAFE, Sydney, AU

2004
Digital Arts Certificate I, Brookvale TAFE, Sydney, AU

Solo Exhibitions

2021
Neon Parc, Melbourne

2017
Smart Sculptures, Emanuel Layr, Vienna 

2016
e4 e5, Salon Kennedy, Frankfurt

2015
Relaax​.in, online
Midday Hour, Minerva, Sydney

2014
C C, Croy Nielsen, Berlin

2013
Present Future, Artissima, Turin (Emanuel Layr)
Emanuel Layr, Vienna
Room, Albert Baronian, Brussels
Frieze NY, Frame section (Croy Nielsen)

2012
Überfläche, 21^er Raum, 21^er Haus, Vienna
Renwick Gallery, New York
Croy Nielsen, Berlin 

2011
Martini Projects, Gothenburg
Stella di Mare, O’, Milan

2010
Andy Boot / David Burton, Croy Nielsen, Berlin
Andy Boot / Veronika Gahmel, Shaulager, Galerie Amer Abbas, Vienna
April, April, Clockwork Gallery Project Space, Berlin

2009
Hinter, Solo Exhibition, Croy Nielsen Office, Berlin

Group Exhibitions

2022
An eeriness on the plain, 1301SW, Melbourne

2020
Fatty Finn, Yuill Crowley, Sydney

2019
Hard Boiled, Neon Park, Brunswick
Neighbours Vol. 8 – Artist Collections’ Groupshow, cur. Manor Grunewald, Riot, Ghent
UKYA City Takeover: Nottingham 2019, Nottingham

2018
One Colour, Philipp Pflug Contemporary, Frankfurt am Main
Dream’n Wild, ALASKA Projects, Sydney

2017
something, Minerva, Sydney
Le Musée Du Chat, De Markten, Brussels

2016
YES | ⵔ NO, Salon Kennedy, Frankfurt
The Gestural, 21^er Haus, Vienna
Vienna Contemporary, with Galerie Emanuel Layr and Croy Nielsen, Vienna
Sculptur – Parcours, Parallel Vienna – Wiener Art Foundation, Vienna
Greener Grass, KS Room, Schloss Kornberg
Spring 1883, w. Minerva, Melbourne, AU Liste w. Galerie Emanuel Layr, Basel
The Language of Things, 21^er Haus, Vienna
Dream, Hong Kong, w. Emanuel Layr
NOW/HERE, cur. Marlies Wirth & Andreas Duscha, FRANZ JOSEFS KAI 3, Vienna
Group show, Albert Baronian, Brussels

2015
Relational Changes, Christine König Galerie, Vienna
Full House, Shanaynay, Paris
Allegro Giusto, Instituto Svizzero, Rome
Casual Conversations , Minerva, Sydney
Elapse/​End, Maisterravalbuena, Madrid
Honky tonk lagoon, Spring 1883, Sydney
Repeat/​Persona, Porous Space, Wielandgasse 1100, Vienna
Fun House, Minerva, Sydney

2014
The Go-Between, National Museum of Capodimonte, Naples
Lotte Sonnenschein: Bildbaumeister Extended, Temporäre Halle für Kunst, Linz
Blackout, Galerie Rodolphe Janssen, Brussels
Allegro Giusto, Istituto Svizzero, Rome
Spring 1883, Minerva, Melbourne
De Generation of Painting, Fondazione 107, Turin
The Go-Between, Sprovieri, London, UK
The Next Level, Annarumma, Napoli
I don’t know dem, Spreez, Munich
Sunny and Hilly, Minerva, Sydney
Stay in Love, Lisa Cooley and Laurel Gitlen, New York (cur. by Chris Sharp)

2013
First Thirteen, Salon Kennedy, Frankfurt
The Program, Gallery 400, Chicago
House of Dirt, Galleri Susanne Ottesen, Copenhagen (cur. by Martin Erik Andersen)
The Collection #3, 21^er Haus, Vienna
Chat Jet, Künstlerhaus, Haus für Kunst und Medien, Graz
Beyond the Object, Brand New Gallery, Milano
Group show, Susanne Ottesen, Copenhagen
Voyages Intérieurs, Maison Particulière, Brussels
Inner Journeys, Maison Particuliere, Brussels
If I was John Armleder (what a curator is not supposed to do), Art Geneve (cur. by Luca Cerizza)

2012
Tiling, Seventeen, London
Needles in the Camel’s Eye, Thomas Duncan Gallery, Los Angeles
Idea ist he Object, D’Amelio Gallery, New York
The Weight of Living, MOT International, London
Nine Teen, One Night Only Gallery, Oslo

2011
Historia Mysteria, Renwick Gallery, New York
Attitudes in a state of flux, Artachment, Basel
Attitudes in a state of flux, das weisse haus, Vienna
The pay together thing, Labor, Budapest
Artachments presents, Heidelberger Kunstverein, Heidelberg
Dialogos, Assab One, Milan
Adventures in a Miniature Landscape, LOG, Bergamo
Obsolete Boundaries, Lust Gallery, Vienna
Inauguration Show, Croy Nielsen, Berlin

2010
NAK Benefizauktion, Neuer Aachener Kunstverein, Aachen
Heterotopias, Musée Cantonal des Beaux-Arts, Lausanne
Seitenflügel NO, Kurzbauergasse/​Sportklubstrasse, Vienna
Transition. A Private Matter, curated by Alessandro Castiglioni and Katia Baraldi, Prague
SUNDAY, Croy Nielsen at SUNDAY Fair, Berlin
Berlin-Paris, Croy Nielsen at Marcelle Alix, Paris

2009
Sculpture by the Sea, Sydney
Sculpture Inside, Sydney

2008
Passwort, Kunsttempel, Kassel, DE
Netzwerke, Intervention, Ybbsitz Marktplatz, Ybbsitz
Studio Opening Party / Untitled, Atelier Rondo, Graz

2007
Hell Raiser, Autopsy Gallery, Melbourne

Grants/​Residencies

2020
Ateliers des Bundes, Austria

2017
Publication grant, BKA, Austria

2011
New Work Grant (Emerging), Australia Council for the Arts 

2008
Stipend from the Nordic Council of Ministers for the Nordic Artists’ Center (nkd), Dale

2007 – 2008
Atelier Rondo, studio stipend from Kultur Steiermark, Graz

Publications

2017 
PLATZ, PLATZ, by Andy Boot with texts by Barbara Casavecchia, Elisa R. Linn, Vivien Trommer, published by Floating Opera Press, Berlin
Australiana to Zeitgeist: An A to Z of Australian Contemporary Art, by Melissa Loughnan, published by Thames and Hudson, London

2016 
21^er Raum at 21^er Haus 2012 – 2016, Catalogue, by Agnes Husslein-Arco, Severin Dünser, published by Belvedere, Vienna 

2011 
Backgrounds, Surfaces and Landscapes, by Andy Boot with texts by Michele D’Aurizio and Chris Sharp, published by Kaleidoscope, Switzerland

Selected Press

2017
Loughnan, Melissa, ​“Australian to Zeitgeist: An A t Z of Australian Contemporary Art”, Thames & Hudson, London
Cuen, Leigh, ​“Why Artists and Art Collectors Love Blockchain Technology”, International Business Times, August 29
Wall, Matthew, ​“How Bitcoin is in Titrating the $60bn global art market”, BBCNews, July 25

2015 
Johanson, Francesca, ​“Andy Boot, Minerva / Sydney”, review, Flash Art International, May/​June, #302
Henry, Max, ​“Art And Money At the Curated_​by Vienna”, Spike Art, October 14
Benzer, Christa, ​“Kunst und Kapital”, Der Standard, September 25 
Scheyerer, Nicole, ​“Womöglich wird das Werk gar nicht mehr gebraucht”, 
Frankfurter Allgemeine, September 15 
Pearson, Jordan, ​“This Digital Art Gallery Immortalizes Your Patronage in the 
Blockchain”, Vice, June 19 
Ghorashi, Hannah, ​“MAK Vienna Becomes First Museum To Use Bitcoin To Acquire Art”, Art News, April 24

2014 
Bianconi, Federica, ​“L’arte non c’è più”, Artribune, November 18
Mallonee, Laura C., ​“Buying Art in Bitcoin”, Hyperallergic, July 14
Rosenberg, Karen, ​“Stay in Love”, Art in Review, The New York Times, January 16

2013
Bogart, Aaron, ​“Andy Boot”, Reviews, Art Agenda, December 11
Rittenbach, Kari, ​“Patterns, relations and planes of reference”, Frieze d/​e, April/​May, Issue 9

2012 
Smith, Roberta, ​“Idea is the Object”, Art in Review, The New York Times, August 2 
Neulinger, Jakob, ​“Jenny Holzer & Andy Boot”, Spex, July/​August, Issue 339 
Nedo, Kito, ​“Routine Pleasures”, Artforum online, May 1