Croy Nielsen

Joshua Petherick

Images

Joshua Petherick, Ear with Tinnitus (v), 2016 , polyurethane resin, seashell, rare earth magnet, 8,5 × 5,3 × 3 cm

Joshua Petherick, Ear with Tinnitus (v), 2016 , polyurethane resin, seashell, rare earth magnet, 8,5 × 5,3 × 3 cm

Joshua Petherick, Ear with Tinnitus (vi), 2016 , polyurethane resin, seashell, rare earth magnet, 8,5 × 5,3 × 3 cm

Joshua Petherick, Ear with Tinnitus (vi), 2016 , polyurethane resin, seashell, rare earth magnet, 8,5 × 5,3 × 3 cm

Joshua Petherick (w. Lewis Fidock), installation view A Cut From Occam’s Razor, Punk Café, Melbourne

Joshua Petherick (w. Lewis Fidock), installation view A Cut From Occam’s Razor, Punk Café, Melbourne

Joshua Petherick (w. Lewis Fidock), Wreath, 2016, cast pigmented silicone, steel, synthetic polymer paint, raw pigment, synthetic flock, archival satin, natural cobwebs, resin, plastic, silicone, carbon powder

Joshua Petherick (w. Lewis Fidock), Wreath, 2016, cast pigmented silicone, steel, synthetic polymer paint, raw pigment, synthetic flock, archival satin, natural cobwebs, resin, plastic, silicone, carbon powder

Joshua Petherick (w. Lewis Fidock), Wreath, 2016 (detail), cast pigmented silicone, steel, synthetic polymer paint, raw pigment, synthetic flock, archival satin, natural cobwebs, resin, plastic, silicone, carbon powder

Joshua Petherick (w. Lewis Fidock), Wreath, 2016 (detail), cast pigmented silicone, steel, synthetic polymer paint, raw pigment, synthetic flock, archival satin, natural cobwebs, resin, plastic, silicone, carbon powder

Joshua Petherick, installation view Ditch Presences, Minerva, Sydney, 2016

Joshua Petherick, installation view Ditch Presences, Minerva, Sydney, 2016

Joshua Petherick, installation view Ditch Presences, Minerva, Sydney, 2016

Joshua Petherick, installation view Ditch Presences, Minerva, Sydney, 2016

Joshua Petherick, installation view Ditch Presences, Minerva, Sydney, 2016

Joshua Petherick, installation view Ditch Presences, Minerva, Sydney, 2016

Joshua Petherick, Kensington Bruising II (Scalper), 2015, hand-pulped paper, synthetic hair, carbon powder, natural fabric dyes, watercolour, ink, spirulina,polyurethane resin, galvanised steel, 44 × 57cm

Joshua Petherick, Kensington Bruising II (Scalper), 2015, hand-pulped paper, synthetic hair, carbon powder, natural fabric dyes, watercolour, ink, spirulina,polyurethane resin, galvanised steel, 44 × 57cm

Joshua Petherick, Glass Tables IV (Ditch Presences) (i), 2015, looped video w. audio, dimensions variable, installation view Technologism, MUMA, Melbourne, 2015

Joshua Petherick, Glass Tables IV (Ditch Presences) (i), 2015, looped video w. audio, dimensions variable, installation view Technologism, MUMA, Melbourne, 2015

Joshua Petherick, Glass Tables IV (Ditch Presences) (i), 2015, looped video w. audio, dimensions variable, installation view Technologism, MUMA, Melbourne, 2015

Joshua Petherick, Glass Tables IV (Ditch Presences) (i), 2015, looped video w. audio, dimensions variable, installation view Technologism, MUMA, Melbourne, 2015

Joshua Petherick, installation view Pestilent Unground; Epidemic Openness, STATION, Melbourne, 2015

Joshua Petherick, installation view Pestilent Unground; Epidemic Openness, STATION, Melbourne, 2015

Joshua Petherick, Petrified Dawn VI, 2015, Corn Flakes in modified packaging of polyurethane resin, weld-bond, carbon powder, silicone rubber, Lovingearth Organic Purple Corn Extract, spirulina, 36,0 × 9,5 × 25, 3 cm

Joshua Petherick, Petrified Dawn VI, 2015, Corn Flakes in modified packaging of polyurethane resin, weld-bond, carbon powder, silicone rubber, Lovingearth Organic Purple Corn Extract, spirulina, 36,0 × 9,5 × 25, 3 cm

Joshua Petherick, installation view Pestilent Unground; Epidemic Openness, STATION, Melbourne, 2015

Joshua Petherick, installation view Pestilent Unground; Epidemic Openness, STATION, Melbourne, 2015

CV

Joshua Petherick

*1979, Adelaide, South Australia — Lives and works in Melbourne, Australia

Selected Solo Exhibitions

2017
Lewis Fidock and Joshua Petherick, Punk Café, Melbourne

2016
Ditch Presences, Minerva, Sydney

2015
Curfew, Flake, Melbourne
Minerva, Sydney

2014
Joshua Petherick (with Matt Hinkley), Robert Heald Gallery, Wellington, New Zealand
Cusp and Cornice, CCP (Centre for Contemporary Photography), Melbourne

2012
O.S.T., The Vanity, Los Angeles
Glass Tables, Gertrude Contemporary, Melbourne
Toll (with Alex Vivian), Conical, Melbourne
Event Horizon (very preliminary stages) (with Christopher LG Hill), Conical, Melbourne

2011 
Saratogian Bedding, Croy Nielsen, Berlin
Simultaneous Solitudes, Y3K Gallery, Melbourne

2010
Joshua Petherick, Australian Centre for Contemporary Art at Mirka Tolarno, Melbourne
Nom Abbamon, Y3K Gallery, Melbourne (with Christopher L.G. Hill) 

2009
Bootleg at The Manor, Y3K Gallery, Melbourne
Austin & Petherick, Neon Parc, Melbourne (with Nick Austin)

Selected Group Exhibitions/​Events

2017
Le Mois de la Photo a Montréal 2017, Bienniale of contemporary image, Montréal 
Future Eaters, MUMA, Melbourne

2016
Dress Rehearsal, Berlin Biennial, Berlin

2015
Pestilent Underground; Epidemic Openness, Station, Melbourne
Lurid Beauty: Australian Surrealism and its Echoes, The Ian Potter Centre: NGV Australian, Melbourne
Sydney Van Tour, Punk Café X Center for Style
Technologism, MUMA, Melbourne
Have It Your Way, Minerva, Sydney
Language Face, Minerva Offsite, Melbourne
Fun House, Minerva, Sydney
Creative Suite, Te Tuhi, Auckland

2014
Carpet Burn, Papakura Art Gallery, Auckland, New Zealand
Fin, Utopian Slumps, Melbourne
Creative Suite, curated by Andrea Bell, City Gallery, Wellington
Sunny and Hilly, Minerva, Sydney
Creative Suite, Horsham Regional Art Gallery, Victoria
Function Centre, Rearview, Melbourne

2013
Arcades, curated by Centre For Style, Bus Projects, Melbourne
Melbourne Now, National Gallery of Victoria, Melbourne
Studios 2013, organised by Emily Cormack, Gertrude Contemporary, Melbourne
Reinventing the Wheel: the Readymade Century, Monash University Museum of Art, Melbourne
Monochrome Exhibition, Sutton Projects, Melbourne
What’s Wrong with This Picture?, presented by OtherFilm, Gertrude Contemporary, Melbourne 
Between Being and Doing, Utopian Slumps, Melbourne
Decline, TSG, Melbourne
Third/​Fourth Melbourne Biennial, Margaret Lawrence Galleries, Melbourne
Group Exhibition: Artwork Documentation, Gertrude Contemporary, Melbourne
NEW13, ACCA (Australian Centre for Contemporary Art), Melbourne
Regimes of Value, The Substation and Margaret Lawrence Galleries, Melbourne

2012
Studios 2012, Gertrude Contemporary, Melbourne
Dodecahedron, Platform, Melbourne
Exhibition: Micro-management, Utopian Slumps, Melbourne
Together Towards 2014, The Common Guild, Glasgow International Festival of Visual Art, Glasgow
Chinatown, The Sequel, ltd. Los Angeles
Big Refrigerator, Hopkinson Cundy, Auckland

2011
Studios 2011, Gertrude Contemporary, Melbourne 
Social Sculpture, Anna Schwartz Gallery, Sydney
ACCA ART#2, Warrnambool Regional Gallery
ACCA ART#2, Horsham Art Gallery
New Psychedelia, UQ Art Museum, University of Queensland, Brisbane
Eastern Seaboard/​Foodcourt du Jour, du Jour, Artspace, Sydney
Love In The Mourning, Death Be Kind, Melbourne
Another Yummy Fantasy II, TCB Art Inc, Melbourne

2010
Three’s Company, Gambia Castle, Auckland
Hotel Theory, Y3K Gallery, Melbourne
No Soul For Sale, Tate Modern, London
Public Lounge, Shepparton Art Gallery, Victoria
Yummy Fantasy, Gertrude Contemporary Art Spaces, Melbourne
Musique Povera performances, Heide Museum of Modern Art, Victoria
Malibu Circa 1990, Gallery Malibu Circa 1990, Los Angeles
Original Title: The World is a Text with Several Meanings. Desired Title at Time of Publication: Don’t Think, Drink, Gertrude Contemporary Art Spaces, Melbourne
Structural Integrity, Y3K at Next Wave, Melbourne
Stolen Library, Y3K Gallery, Melbourne

2009
Cross Colouring, Gambia Castle, Auckland
Cargo Project, Hyde Park Art Centre, Chicago
Y3K for Tomorrow The World, Westspace, Melbourne
Artspace New Artist Show 09, News Travels Faster In A Room with No Walls”, Artspace, Auckland 
Cross Colouring, Hell Gallery, Melbourne
Why Freak? Mmm’kay…, Y3K Gallery, Melbourne
A House Full Of A1 Black and White Posters Pt 2, Joint Hassles Gallery, Melbourne
General Jam, ACMI, Melbourne (Pæces performance) 
Secret Life, Curatorial Projects at Version Festival, Chicago
A House Full Of A1 Black and White Posters Pt 1, Joint Hassles Gallery, Melbourne
Axis Bold As Love, TCB Art Inc, Melbourne
West Brunswick Sculpture Triennial 09, Anstey & Ashton, Melbourne (Pæces performance)
21:21:21: Twenty-One Sound Works by Twenty-One Australian Artists from the Twenty-First Century”, Salamanca Arts Centre, Hobart, Tasmania (with Pæces)
Fundraiser, The Narrows, Melbourne
The Art Of Music, Colette, Paris 

2008
The Second (Fourth) Melbourne Biennial of Art, TCB Art Inc, Melbourne
Axis Bold As Love, CAPC Musée d’art Contemporain de Bordeaux, France
1:100:100: One Hundred Sound Works by One Hundred Artists from the 21st Century”, Gertrude Contemporary Art
Spaces, Melbourne (with Pæces)
You Can’t Steal A Gift, Gambia Castle, Auckland
Informal Rituals, TCB Art Inc, Melbourne 
NGV Theatre, The Ian Potter Centre, National Gallery of Victoria, Melbourne (Pæces performance) 
United Artists, Linden Centre for Contemporary Arts, Palais Theatre, Melbourne (Pæces performance) 
Table of Elements, World Food Studio, Melbourne 
Salon, OogaBooga, Los Angeles 
Melbourne Art Fair 08, Joint Hassles, Melbourne

2007
Used Future and Nieves space, Art Basel, Switzerland
Sub-Devide&Concrete, Joint Hassles, Melbourne
Octopus 7, Contemporary Art Spaces, Melbourne, Australia
Omnipresents, Gertrude Contemporary Art Spaces, Melbourne
My 2007, Colette, Paris
You Don’t Have To Call It Music, Curtain House, Melbourne (Pæces performance)
MyHome, Vitra Campus, Weil Am Rhein, Germany

2006
Inaugural Show, Joint Hassles, Melbourne 
Escape Party, Presented by Clubs Project Inc., Enjoy Gallery, Wellington 
A Thousand Things, Mu Foundation, Eindhoven, Netherlands 
Workshop Non-stop, Loose Projects, Sydney
Classics – Customs, NGV International, Melbourne 

2005
HappyHardHauntedHaus!!!!, Clubs Project Inc., Melbourne 
Corner, Galerie Christophe Daviet-Thery, Paris 
Slave 3, Lawrence Galleries, VCA, Melbourne
Otherworld, Gertrude Contemporary Art Spaces, Melbourne 
Vitra Campus, Weil Am Rhein, Germany (commissioned interiors) 
Drawing, Rocket Gallery, Tokyo

2004
New Drawing, UTS Gallery, Sydney Biennial, Sydney 
Les Enfants DeL’atone, Outskirts, Melbourne 

2003
The Sun In Your Eyes Makes Some of the Lies Worth Believing, Little Salon, Melbourne

Curatorial Projects

2014
Habitat (with World Food Books), Minerva, Sydney

2013
Janet Burchill & Jennifer McCamley, Aesthetic Suicide / SCUM Tapes”, World Food Books, Melbourne

2012 
Calling Cards, Gertrude Contemporary Slide box, Melbourne (with Nicolas Ceccaldi, S.T. Lore, Patrick Lundberg, Alex Vivian)

2011
The First & Final Y3K Second (Third) Inaugural Melbourne Biennial of International Arts, Y3K Gallery, Melbourne (with Hany Armanious, Tobias Kaspar, Michael O’Connell, and Carissa Rodriquez)

Publications

2017
Future Eaters, Catalog, text by Charlotte Day, Hannah Donnely, Tara McDowell and Gale Priest, Monash Museum of Art|MUMA, Melbourne
Endless Lonely Planet issue 6, various artists, published by Endless Lonely Planet and Bunyip Trax
MOMENTA: What Does e Image Stand For, Catalog, edited by Ami Barak, published by Kerber Verlag, Montréal

2016
Endless Lonely Planet issue 5, various artists, published by Endless Lonely Planet and Bunyip Trax
Berlin Biennale für Zeitgenössische Kunst 9, Catalog, published by Distanz Verlag, Berlin

2015
Notes on Technologism, Text by Charlotte Day, Philip Brophy, Sean Dockray, Bridget Crone, published by MUMA, New York
Lurid Beauty: Australian Surrealism and Its Echoes, Catalogue, edited by Maidment, Simon and Elena Taylor, National Gallery of Victoria, Victoria
Pestilent Unground; Epidemic Openness, Catalogue, edited by Jack Willet, Station Gallery, Victoria
Minerva at NADA New York”, Catalogue, edited by Andy Boot, Jonny Niesche, Joshua Petheric and Marian Tubbs, New York
Creative Suite, Catalogue, edited by Andrea Bell, Te Tuhi Centre for the Arts, Manukau

2014
Creative Suite, Catalogue, edited by Andrea Bell, City Gallery Wellington, Wellington
Endless Lonely Planet issue 3, various artists, published by Endless Lonely Planet and Bunyip Trax

2013
Melbourne Now, Catalogue, edited by Toby Miller, National Gallery Victoria
When Everything Is Already A Readymade, Catalogue, edited by Patrice Sharkey, Reinventing the Wheel: the Readymade Century, MUMA, New York
Petherick Interregnum, Catalogue, edited by Mark von Schlegell, NEW13, ACCA, Melbourne
Endless Lonely Planet issue 2, various artists, published by Endless Lonely Planet and Bunyip Trax

2012
Gertrude Studios 2012, Catalogue, edited by Pip Wallis, Gertrude Contemporary, Melbourne
Endless Lonely Planet issue 1, various artists, published by Endless Lonely Planet and Bunyip Trax

2011
Discipline No. 1, (artist pages)
Gertrude Studios 2011, Catalogue, edited by Pip Wallis, Gertrude Contemporary, Melbourne
Social Sculpture, Catalogue, edited by Charlotte Day, Anna Schwartz Gallery, Melbourne
Total Reality, Catalogue, edited by Sebastian Moody, New Psychedelia, University of Queensland Art Museum, Queensland
Joshua Petherick, edited by Charlotte Day, ACCA ART#2, Melbourne

2010
Public Lounge, Catalogue, edited by Danny Lacy, Shepparton Art Gallery, Shepparton
Joshua Petherick, Catalogue, edited by Liv Barret, Mirka Tolarno exhibition, Australian Centre for Contemporary Art, Melbourne

2008
Evergreen Terrace No. 1 (artist pages)
21:100:100, 21:100:100, Catalogue, Gertrude Contemporary and MONA, Melbourne

2005
Slave, Catalogue, Margaret Lawrence Galleries, Victoria College of the Arts, Victoria

Press (selected)

2017
Nelson, Robert, Fragile Walls”, e Age, December 19, p. 26
Quirion, Jean-Michel, Momenta: entre véracité et fausseté de l’image”, Revue Ex Situ, September 18
Thibert, Sébastien, Le Mois de la photo se transforme: place à Momenta!”, Fugues, August 11
MOMENTA, Biennale de l’image et dévoile sa programmatic”, Le lien multimédia, June 28
A Cut From Occam’s Razor”, Art Viewer, January 23
What Does e Image Stand For?”, Booooooom, September 6
De quoi l’image est-elle le nom?”, Rats de ville, September 1

2016
Sam, Sherman, Joshua Petherick, Ditch Presences”, Art Review, No.5, May
2000”, Contemporary Art Daily, July 3
French, Jessie, Worth eir Weight in Gold: Young Australian Artists to Invest in Right Now”, I-D, July 8
Davis, Jared, Centre for Style at the 9th Berlin Biennale for Contemporary Art”, Wonderland, June 14
Trojanska, Weronika, Stop looking at me like I ḿ the future: 9. Berlin Biennale”, Metropolis M, June 6
Edmonson, Tess, e Present In Drag, 9th Berlin Biennale”, Art Agenda, June 4
Club 2000 at Sydney”, Sex Life, Sex Magazine, June 7
Gardiner, Sue, Riding e Tidal Wave of Images”, Art News, winter
2000 at Sydney”, Art Viewer, June 24
Lore, ST, Joshua Petherick at Minerva: Ditch Presences”, Art Viewer, April 21
Atrophy Amphitheatre at National Gallery Victoria”, Art Viewer, January 14
Lettau, Paris, Technologism”, Broadsheet, March, issue 45.1

2015
Gardner, Laura, Centre for Style/​Melbourne”, Flash Art online, November 25
Atrophy Amphitheatre at National Gallery Victoria”, Sex Life, Sex Magazine, October 20
Nelson, Robert, Technologism”, Sydney Morning Herald, e Daily Mail, October
Harford, Sonia, Lurid Beauty”, Sydney Morning Herald, October 10
Grant, Katrina, Technologism”, Melbourne Art Network, September 30
Stephens, Andrew, Technologism”, e Age, September 25
Rule, Dan, Pestilent Unground; Epidemic Openness”, Sydney Morning Herald, October 9
Have It Your Way, at Minerva”, Art Viewer, May 31
Linde, Mathew, Boulevard by Centre for Style”, Novembre Magazine, April
Hurrell, John, Four Australian Videos”, Eye Contact, March
Hill, Wes, Habitat (with World Food Books)”, Frieze, March, issue 169
Joshua Petherick at Flake: Curfew”, Art Viewer, February 21

2014
Hurrell, John, Critiquing Acquisitiveness”, Eye Contact, April 11
Withers, Daniel, Monochrome Exhibition”, Un Magazine 7.2, August

2013
Radford, Lisa, de for”, Stamm
Rule, Dan, In e Galleries”, e Age, November 30
Rule, Dan, In e Galleries”, e Age, September 7
Kilmartin, Ash, Double Take”, Vault, August, issue 4
Rule, Dan, In e Galleries: Gertrude Studios 2013”, e Age, August 17
Jamieson, Shena, Cusp and Cornice”, Un Magazine 7.1, March
Bell, Andrea, Melbourne Artist Facilitated Biennale”, Eye Contact, July 11
Hughes, Helen, Regimes of Value”, Art Guide Australia
i Pham, Lieu, Technology as a Catalyst for Contemporary Art”, SmartPlanet, May 1
Nelson, Robert, Ideas Traveling at the Speed of Light”, e Age, April 3
Rule, Dan, NEW13: Fractured Forms and Spatial Fissures at ACCA”, Broadsheet, April 2
Pedler, Elizabeth, Critics’ Pick: NEW13”, Artforum, March
Rule, Dan, In e Galleries”, e Age, March 29
Nelson, Robert, Regimes of Value”, e Age, March 20
Rainforth, Dylan, Reflecting Art”, e Age, January 30
Edmond, Maura, Critics’ Choice: NEW13”, TimeOut Melbourne, January
Bryant, Jan, Subterfuge of Joshua Petherick”, Eyeline 77

2012
Edmond, Maura, Gallery Spotlight”, TimeOut Melbourne, December
Preparations Pending”, Artist page, Un Magazine 6.1, June
Bell, Andrea, Linking e Divergent”, Eye Contact, January

2011
Schneider, Anja Isabel, Social Sculpture at Anna Schwartz Gallery”, Kaleidoscope, May 6
Kent, Rachel, Social Sculpture”, ArtsAsiaPacific, July/​August, issue 74
Sharkey, Patrice, Another Yummy Fantasy II”, Un Magazine 5.1, February

2010
Rule, Dan, Around e Galleries”, e Age, May 8

2008
Bell, Andrea, Foto-Ography”, Un Magazine 2.2, November

Images

Joshua Petherick

*1979, Adelaide, South Australia — Lives and works in Melbourne, Australia

Joshua Petherick, Ear with Tinnitus (v), 2016 , polyurethane resin, seashell, rare earth magnet, 8,5 × 5,3 × 3 cm

Joshua Petherick, Ear with Tinnitus (v), 2016 , polyurethane resin, seashell, rare earth magnet, 8,5 × 5,3 × 3 cm

Joshua Petherick, Ear with Tinnitus (vi), 2016 , polyurethane resin, seashell, rare earth magnet, 8,5 × 5,3 × 3 cm

Joshua Petherick, Ear with Tinnitus (vi), 2016 , polyurethane resin, seashell, rare earth magnet, 8,5 × 5,3 × 3 cm

Joshua Petherick (w. Lewis Fidock), installation view A Cut From Occam’s Razor, Punk Café, Melbourne

Joshua Petherick (w. Lewis Fidock), installation view A Cut From Occam’s Razor, Punk Café, Melbourne

Joshua Petherick (w. Lewis Fidock), Wreath, 2016, cast pigmented silicone, steel, synthetic polymer paint, raw pigment, synthetic flock, archival satin, natural cobwebs, resin, plastic, silicone, carbon powder

Joshua Petherick (w. Lewis Fidock), Wreath, 2016, cast pigmented silicone, steel, synthetic polymer paint, raw pigment, synthetic flock, archival satin, natural cobwebs, resin, plastic, silicone, carbon powder

Joshua Petherick (w. Lewis Fidock), Wreath, 2016 (detail), cast pigmented silicone, steel, synthetic polymer paint, raw pigment, synthetic flock, archival satin, natural cobwebs, resin, plastic, silicone, carbon powder

Joshua Petherick (w. Lewis Fidock), Wreath, 2016 (detail), cast pigmented silicone, steel, synthetic polymer paint, raw pigment, synthetic flock, archival satin, natural cobwebs, resin, plastic, silicone, carbon powder

Joshua Petherick, installation view Ditch Presences, Minerva, Sydney, 2016

Joshua Petherick, installation view Ditch Presences, Minerva, Sydney, 2016

Joshua Petherick, installation view Ditch Presences, Minerva, Sydney, 2016

Joshua Petherick, installation view Ditch Presences, Minerva, Sydney, 2016

Joshua Petherick, installation view Ditch Presences, Minerva, Sydney, 2016

Joshua Petherick, installation view Ditch Presences, Minerva, Sydney, 2016

Joshua Petherick, Kensington Bruising II (Scalper), 2015, hand-pulped paper, synthetic hair, carbon powder, natural fabric dyes, watercolour, ink, spirulina,polyurethane resin, galvanised steel, 44 × 57cm

Joshua Petherick, Kensington Bruising II (Scalper), 2015, hand-pulped paper, synthetic hair, carbon powder, natural fabric dyes, watercolour, ink, spirulina,polyurethane resin, galvanised steel, 44 × 57cm

Joshua Petherick, Glass Tables IV (Ditch Presences) (i), 2015, looped video w. audio, dimensions variable, installation view Technologism, MUMA, Melbourne, 2015

Joshua Petherick, Glass Tables IV (Ditch Presences) (i), 2015, looped video w. audio, dimensions variable, installation view Technologism, MUMA, Melbourne, 2015

Joshua Petherick, Glass Tables IV (Ditch Presences) (i), 2015, looped video w. audio, dimensions variable, installation view Technologism, MUMA, Melbourne, 2015

Joshua Petherick, Glass Tables IV (Ditch Presences) (i), 2015, looped video w. audio, dimensions variable, installation view Technologism, MUMA, Melbourne, 2015

Joshua Petherick, installation view Pestilent Unground; Epidemic Openness, STATION, Melbourne, 2015

Joshua Petherick, installation view Pestilent Unground; Epidemic Openness, STATION, Melbourne, 2015

Joshua Petherick, Petrified Dawn VI, 2015, Corn Flakes in modified packaging of polyurethane resin, weld-bond, carbon powder, silicone rubber, Lovingearth Organic Purple Corn Extract, spirulina, 36,0 × 9,5 × 25, 3 cm

Joshua Petherick, Petrified Dawn VI, 2015, Corn Flakes in modified packaging of polyurethane resin, weld-bond, carbon powder, silicone rubber, Lovingearth Organic Purple Corn Extract, spirulina, 36,0 × 9,5 × 25, 3 cm

Joshua Petherick, installation view Pestilent Unground; Epidemic Openness, STATION, Melbourne, 2015

Joshua Petherick, installation view Pestilent Unground; Epidemic Openness, STATION, Melbourne, 2015

CV

Joshua Petherick

*1979, Adelaide, South Australia — Lives and works in Melbourne, Australia

Selected Solo Exhibitions

2017
Lewis Fidock and Joshua Petherick, Punk Café, Melbourne

2016
Ditch Presences, Minerva, Sydney

2015
Curfew, Flake, Melbourne
Minerva, Sydney

2014
Joshua Petherick (with Matt Hinkley), Robert Heald Gallery, Wellington, New Zealand
Cusp and Cornice, CCP (Centre for Contemporary Photography), Melbourne

2012
O.S.T., The Vanity, Los Angeles
Glass Tables, Gertrude Contemporary, Melbourne
Toll (with Alex Vivian), Conical, Melbourne
Event Horizon (very preliminary stages) (with Christopher LG Hill), Conical, Melbourne

2011 
Saratogian Bedding, Croy Nielsen, Berlin
Simultaneous Solitudes, Y3K Gallery, Melbourne

2010
Joshua Petherick, Australian Centre for Contemporary Art at Mirka Tolarno, Melbourne
Nom Abbamon, Y3K Gallery, Melbourne (with Christopher L.G. Hill) 

2009
Bootleg at The Manor, Y3K Gallery, Melbourne
Austin & Petherick, Neon Parc, Melbourne (with Nick Austin)

Selected Group Exhibitions/​Events

2017
Le Mois de la Photo a Montréal 2017, Bienniale of contemporary image, Montréal 
Future Eaters, MUMA, Melbourne

2016
Dress Rehearsal, Berlin Biennial, Berlin

2015
Pestilent Underground; Epidemic Openness, Station, Melbourne
Lurid Beauty: Australian Surrealism and its Echoes, The Ian Potter Centre: NGV Australian, Melbourne
Sydney Van Tour, Punk Café X Center for Style
Technologism, MUMA, Melbourne
Have It Your Way, Minerva, Sydney
Language Face, Minerva Offsite, Melbourne
Fun House, Minerva, Sydney
Creative Suite, Te Tuhi, Auckland

2014
Carpet Burn, Papakura Art Gallery, Auckland, New Zealand
Fin, Utopian Slumps, Melbourne
Creative Suite, curated by Andrea Bell, City Gallery, Wellington
Sunny and Hilly, Minerva, Sydney
Creative Suite, Horsham Regional Art Gallery, Victoria
Function Centre, Rearview, Melbourne

2013
Arcades, curated by Centre For Style, Bus Projects, Melbourne
Melbourne Now, National Gallery of Victoria, Melbourne
Studios 2013, organised by Emily Cormack, Gertrude Contemporary, Melbourne
Reinventing the Wheel: the Readymade Century, Monash University Museum of Art, Melbourne
Monochrome Exhibition, Sutton Projects, Melbourne
What’s Wrong with This Picture?, presented by OtherFilm, Gertrude Contemporary, Melbourne 
Between Being and Doing, Utopian Slumps, Melbourne
Decline, TSG, Melbourne
Third/​Fourth Melbourne Biennial, Margaret Lawrence Galleries, Melbourne
Group Exhibition: Artwork Documentation, Gertrude Contemporary, Melbourne
NEW13, ACCA (Australian Centre for Contemporary Art), Melbourne
Regimes of Value, The Substation and Margaret Lawrence Galleries, Melbourne

2012
Studios 2012, Gertrude Contemporary, Melbourne
Dodecahedron, Platform, Melbourne
Exhibition: Micro-management, Utopian Slumps, Melbourne
Together Towards 2014, The Common Guild, Glasgow International Festival of Visual Art, Glasgow
Chinatown, The Sequel, ltd. Los Angeles
Big Refrigerator, Hopkinson Cundy, Auckland

2011
Studios 2011, Gertrude Contemporary, Melbourne 
Social Sculpture, Anna Schwartz Gallery, Sydney
ACCA ART#2, Warrnambool Regional Gallery
ACCA ART#2, Horsham Art Gallery
New Psychedelia, UQ Art Museum, University of Queensland, Brisbane
Eastern Seaboard/​Foodcourt du Jour, du Jour, Artspace, Sydney
Love In The Mourning, Death Be Kind, Melbourne
Another Yummy Fantasy II, TCB Art Inc, Melbourne

2010
Three’s Company, Gambia Castle, Auckland
Hotel Theory, Y3K Gallery, Melbourne
No Soul For Sale, Tate Modern, London
Public Lounge, Shepparton Art Gallery, Victoria
Yummy Fantasy, Gertrude Contemporary Art Spaces, Melbourne
Musique Povera performances, Heide Museum of Modern Art, Victoria
Malibu Circa 1990, Gallery Malibu Circa 1990, Los Angeles
Original Title: The World is a Text with Several Meanings. Desired Title at Time of Publication: Don’t Think, Drink, Gertrude Contemporary Art Spaces, Melbourne
Structural Integrity, Y3K at Next Wave, Melbourne
Stolen Library, Y3K Gallery, Melbourne

2009
Cross Colouring, Gambia Castle, Auckland
Cargo Project, Hyde Park Art Centre, Chicago
Y3K for Tomorrow The World, Westspace, Melbourne
Artspace New Artist Show 09, News Travels Faster In A Room with No Walls”, Artspace, Auckland 
Cross Colouring, Hell Gallery, Melbourne
Why Freak? Mmm’kay…, Y3K Gallery, Melbourne
A House Full Of A1 Black and White Posters Pt 2, Joint Hassles Gallery, Melbourne
General Jam, ACMI, Melbourne (Pæces performance) 
Secret Life, Curatorial Projects at Version Festival, Chicago
A House Full Of A1 Black and White Posters Pt 1, Joint Hassles Gallery, Melbourne
Axis Bold As Love, TCB Art Inc, Melbourne
West Brunswick Sculpture Triennial 09, Anstey & Ashton, Melbourne (Pæces performance)
21:21:21: Twenty-One Sound Works by Twenty-One Australian Artists from the Twenty-First Century”, Salamanca Arts Centre, Hobart, Tasmania (with Pæces)
Fundraiser, The Narrows, Melbourne
The Art Of Music, Colette, Paris 

2008
The Second (Fourth) Melbourne Biennial of Art, TCB Art Inc, Melbourne
Axis Bold As Love, CAPC Musée d’art Contemporain de Bordeaux, France
1:100:100: One Hundred Sound Works by One Hundred Artists from the 21st Century”, Gertrude Contemporary Art
Spaces, Melbourne (with Pæces)
You Can’t Steal A Gift, Gambia Castle, Auckland
Informal Rituals, TCB Art Inc, Melbourne 
NGV Theatre, The Ian Potter Centre, National Gallery of Victoria, Melbourne (Pæces performance) 
United Artists, Linden Centre for Contemporary Arts, Palais Theatre, Melbourne (Pæces performance) 
Table of Elements, World Food Studio, Melbourne 
Salon, OogaBooga, Los Angeles 
Melbourne Art Fair 08, Joint Hassles, Melbourne

2007
Used Future and Nieves space, Art Basel, Switzerland
Sub-Devide&Concrete, Joint Hassles, Melbourne
Octopus 7, Contemporary Art Spaces, Melbourne, Australia
Omnipresents, Gertrude Contemporary Art Spaces, Melbourne
My 2007, Colette, Paris
You Don’t Have To Call It Music, Curtain House, Melbourne (Pæces performance)
MyHome, Vitra Campus, Weil Am Rhein, Germany

2006
Inaugural Show, Joint Hassles, Melbourne 
Escape Party, Presented by Clubs Project Inc., Enjoy Gallery, Wellington 
A Thousand Things, Mu Foundation, Eindhoven, Netherlands 
Workshop Non-stop, Loose Projects, Sydney
Classics – Customs, NGV International, Melbourne 

2005
HappyHardHauntedHaus!!!!, Clubs Project Inc., Melbourne 
Corner, Galerie Christophe Daviet-Thery, Paris 
Slave 3, Lawrence Galleries, VCA, Melbourne
Otherworld, Gertrude Contemporary Art Spaces, Melbourne 
Vitra Campus, Weil Am Rhein, Germany (commissioned interiors) 
Drawing, Rocket Gallery, Tokyo

2004
New Drawing, UTS Gallery, Sydney Biennial, Sydney 
Les Enfants DeL’atone, Outskirts, Melbourne 

2003
The Sun In Your Eyes Makes Some of the Lies Worth Believing, Little Salon, Melbourne

Curatorial Projects

2014
Habitat (with World Food Books), Minerva, Sydney

2013
Janet Burchill & Jennifer McCamley, Aesthetic Suicide / SCUM Tapes”, World Food Books, Melbourne

2012 
Calling Cards, Gertrude Contemporary Slide box, Melbourne (with Nicolas Ceccaldi, S.T. Lore, Patrick Lundberg, Alex Vivian)

2011
The First & Final Y3K Second (Third) Inaugural Melbourne Biennial of International Arts, Y3K Gallery, Melbourne (with Hany Armanious, Tobias Kaspar, Michael O’Connell, and Carissa Rodriquez)

Publications

2017
Future Eaters, Catalog, text by Charlotte Day, Hannah Donnely, Tara McDowell and Gale Priest, Monash Museum of Art|MUMA, Melbourne
Endless Lonely Planet issue 6, various artists, published by Endless Lonely Planet and Bunyip Trax
MOMENTA: What Does e Image Stand For, Catalog, edited by Ami Barak, published by Kerber Verlag, Montréal

2016
Endless Lonely Planet issue 5, various artists, published by Endless Lonely Planet and Bunyip Trax
Berlin Biennale für Zeitgenössische Kunst 9, Catalog, published by Distanz Verlag, Berlin

2015
Notes on Technologism, Text by Charlotte Day, Philip Brophy, Sean Dockray, Bridget Crone, published by MUMA, New York
Lurid Beauty: Australian Surrealism and Its Echoes, Catalogue, edited by Maidment, Simon and Elena Taylor, National Gallery of Victoria, Victoria
Pestilent Unground; Epidemic Openness, Catalogue, edited by Jack Willet, Station Gallery, Victoria
Minerva at NADA New York”, Catalogue, edited by Andy Boot, Jonny Niesche, Joshua Petheric and Marian Tubbs, New York
Creative Suite, Catalogue, edited by Andrea Bell, Te Tuhi Centre for the Arts, Manukau

2014
Creative Suite, Catalogue, edited by Andrea Bell, City Gallery Wellington, Wellington
Endless Lonely Planet issue 3, various artists, published by Endless Lonely Planet and Bunyip Trax

2013
Melbourne Now, Catalogue, edited by Toby Miller, National Gallery Victoria
When Everything Is Already A Readymade, Catalogue, edited by Patrice Sharkey, Reinventing the Wheel: the Readymade Century, MUMA, New York
Petherick Interregnum, Catalogue, edited by Mark von Schlegell, NEW13, ACCA, Melbourne
Endless Lonely Planet issue 2, various artists, published by Endless Lonely Planet and Bunyip Trax

2012
Gertrude Studios 2012, Catalogue, edited by Pip Wallis, Gertrude Contemporary, Melbourne
Endless Lonely Planet issue 1, various artists, published by Endless Lonely Planet and Bunyip Trax

2011
Discipline No. 1, (artist pages)
Gertrude Studios 2011, Catalogue, edited by Pip Wallis, Gertrude Contemporary, Melbourne
Social Sculpture, Catalogue, edited by Charlotte Day, Anna Schwartz Gallery, Melbourne
Total Reality, Catalogue, edited by Sebastian Moody, New Psychedelia, University of Queensland Art Museum, Queensland
Joshua Petherick, edited by Charlotte Day, ACCA ART#2, Melbourne

2010
Public Lounge, Catalogue, edited by Danny Lacy, Shepparton Art Gallery, Shepparton
Joshua Petherick, Catalogue, edited by Liv Barret, Mirka Tolarno exhibition, Australian Centre for Contemporary Art, Melbourne

2008
Evergreen Terrace No. 1 (artist pages)
21:100:100, 21:100:100, Catalogue, Gertrude Contemporary and MONA, Melbourne

2005
Slave, Catalogue, Margaret Lawrence Galleries, Victoria College of the Arts, Victoria

Press (selected)

2017
Nelson, Robert, Fragile Walls”, e Age, December 19, p. 26
Quirion, Jean-Michel, Momenta: entre véracité et fausseté de l’image”, Revue Ex Situ, September 18
Thibert, Sébastien, Le Mois de la photo se transforme: place à Momenta!”, Fugues, August 11
MOMENTA, Biennale de l’image et dévoile sa programmatic”, Le lien multimédia, June 28
A Cut From Occam’s Razor”, Art Viewer, January 23
What Does e Image Stand For?”, Booooooom, September 6
De quoi l’image est-elle le nom?”, Rats de ville, September 1

2016
Sam, Sherman, Joshua Petherick, Ditch Presences”, Art Review, No.5, May
2000”, Contemporary Art Daily, July 3
French, Jessie, Worth eir Weight in Gold: Young Australian Artists to Invest in Right Now”, I-D, July 8
Davis, Jared, Centre for Style at the 9th Berlin Biennale for Contemporary Art”, Wonderland, June 14
Trojanska, Weronika, Stop looking at me like I ḿ the future: 9. Berlin Biennale”, Metropolis M, June 6
Edmonson, Tess, e Present In Drag, 9th Berlin Biennale”, Art Agenda, June 4
Club 2000 at Sydney”, Sex Life, Sex Magazine, June 7
Gardiner, Sue, Riding e Tidal Wave of Images”, Art News, winter
2000 at Sydney”, Art Viewer, June 24
Lore, ST, Joshua Petherick at Minerva: Ditch Presences”, Art Viewer, April 21
Atrophy Amphitheatre at National Gallery Victoria”, Art Viewer, January 14
Lettau, Paris, Technologism”, Broadsheet, March, issue 45.1

2015
Gardner, Laura, Centre for Style/​Melbourne”, Flash Art online, November 25
Atrophy Amphitheatre at National Gallery Victoria”, Sex Life, Sex Magazine, October 20
Nelson, Robert, Technologism”, Sydney Morning Herald, e Daily Mail, October
Harford, Sonia, Lurid Beauty”, Sydney Morning Herald, October 10
Grant, Katrina, Technologism”, Melbourne Art Network, September 30
Stephens, Andrew, Technologism”, e Age, September 25
Rule, Dan, Pestilent Unground; Epidemic Openness”, Sydney Morning Herald, October 9
Have It Your Way, at Minerva”, Art Viewer, May 31
Linde, Mathew, Boulevard by Centre for Style”, Novembre Magazine, April
Hurrell, John, Four Australian Videos”, Eye Contact, March
Hill, Wes, Habitat (with World Food Books)”, Frieze, March, issue 169
Joshua Petherick at Flake: Curfew”, Art Viewer, February 21

2014
Hurrell, John, Critiquing Acquisitiveness”, Eye Contact, April 11
Withers, Daniel, Monochrome Exhibition”, Un Magazine 7.2, August

2013
Radford, Lisa, de for”, Stamm
Rule, Dan, In e Galleries”, e Age, November 30
Rule, Dan, In e Galleries”, e Age, September 7
Kilmartin, Ash, Double Take”, Vault, August, issue 4
Rule, Dan, In e Galleries: Gertrude Studios 2013”, e Age, August 17
Jamieson, Shena, Cusp and Cornice”, Un Magazine 7.1, March
Bell, Andrea, Melbourne Artist Facilitated Biennale”, Eye Contact, July 11
Hughes, Helen, Regimes of Value”, Art Guide Australia
i Pham, Lieu, Technology as a Catalyst for Contemporary Art”, SmartPlanet, May 1
Nelson, Robert, Ideas Traveling at the Speed of Light”, e Age, April 3
Rule, Dan, NEW13: Fractured Forms and Spatial Fissures at ACCA”, Broadsheet, April 2
Pedler, Elizabeth, Critics’ Pick: NEW13”, Artforum, March
Rule, Dan, In e Galleries”, e Age, March 29
Nelson, Robert, Regimes of Value”, e Age, March 20
Rainforth, Dylan, Reflecting Art”, e Age, January 30
Edmond, Maura, Critics’ Choice: NEW13”, TimeOut Melbourne, January
Bryant, Jan, Subterfuge of Joshua Petherick”, Eyeline 77

2012
Edmond, Maura, Gallery Spotlight”, TimeOut Melbourne, December
Preparations Pending”, Artist page, Un Magazine 6.1, June
Bell, Andrea, Linking e Divergent”, Eye Contact, January

2011
Schneider, Anja Isabel, Social Sculpture at Anna Schwartz Gallery”, Kaleidoscope, May 6
Kent, Rachel, Social Sculpture”, ArtsAsiaPacific, July/​August, issue 74
Sharkey, Patrice, Another Yummy Fantasy II”, Un Magazine 5.1, February

2010
Rule, Dan, Around e Galleries”, e Age, May 8

2008
Bell, Andrea, Foto-Ography”, Un Magazine 2.2, November