Croy Nielsen

Hugh Scott-Douglas

Images

Installation view, Tochigi Prefectural Museum of Fine Arts, Tochigi, Japan, 2016

Installation view, Tochigi Prefectural Museum of Fine Arts, Tochigi, Japan, 2016

Installation view, Tochigi Prefectural Museum of Fine Arts, Tochigi, Japan, 2016

Installation view, Tochigi Prefectural Museum of Fine Arts, Tochigi, Japan, 2016

Installation view, Tochigi Prefectural Museum of Fine Arts, Tochigi, Japan, 2016

Installation view, Tochigi Prefectural Museum of Fine Arts, Tochigi, Japan, 2016

Untitled, 2013, 80 slides, slide projector, dimensions variable

Untitled, 2013, 80 slides, slide projector, dimensions variable

Untitled, 2013, 80 slides, slide projector, dimensions variable

Untitled, 2013, 80 slides, slide projector, dimensions variable

Installation view Consumables, Simon Lee, London, 2015

Installation view Consumables, Simon Lee, London, 2015

Untitled, 2014, two direct to substrate prints on aluminium, each: 203.2 × 134.6 cm, overall: 203.2 × 269.2

Untitled, 2014, two direct to substrate prints on aluminium, each: 203.2 × 134.6 cm, overall: 203.2 × 269.2

Chopped Bills, 2014, dyesublimation on linen, 200 × 300 × 3 cm

Chopped Bills, 2014, dyesublimation on linen, 200 × 300 × 3 cm

Chopped Bills, 2014, dyesublimation on line, 200 × 200 cm × 3 cm

Chopped Bills, 2014, dyesublimation on line, 200 × 200 cm × 3 cm

Untitled, 2013, UV curable ink on panel, 203 × 305 cm (three parts)

Untitled, 2013, UV curable ink on panel, 203 × 305 cm (three parts)

Broken Mule, 2013, UV curable ink on wood, dye sublimation on poly-silk, polyester resin, 93 × 106.5 × 32 cm

Broken Mule, 2013, UV curable ink on wood, dye sublimation on poly-silk, polyester resin, 93 × 106.5 × 32 cm

Broken Mule, 2013, UV curable ink on wood, dye sublimation on poly-silk, polyester resin, 213.5 × 30.5 × 30.5 cm

Broken Mule, 2013, UV curable ink on wood, dye sublimation on poly-silk, polyester resin, 213.5 × 30.5 × 30.5 cm

Installation view In Transit: Between Image and Object, MASS MoCA, North Adams, 2014

Installation view In Transit: Between Image and Object, MASS MoCA, North Adams, 2014

Chopped Bills, 2013, dye sublimation print on linen, 203 × 508 cm (five parts)

Chopped Bills, 2013, dye sublimation print on linen, 203 × 508 cm (five parts)

Installation view The Cabinet of Dr. Caligari, Blum and Poe, Los Angeles, 2013

Installation view The Cabinet of Dr. Caligari, Blum and Poe, Los Angeles, 2013

Installation view The Cabinet of Dr. Caligari, Blum and Poe, Los Angeles, 2013

Installation view The Cabinet of Dr. Caligari, Blum and Poe, Los Angeles, 2013

Chopped Bill and Torn Cheque, 2013, dyesublimation on linen and laser-cut on gessoed canvas, 203 × 203 × 3 cm

Chopped Bill and Torn Cheque, 2013, dyesublimation on linen and laser-cut on gessoed canvas, 203 × 203 × 3 cm

Untitled, 2012, cyanotype on linen, 220 × 140 cm

Untitled, 2012, cyanotype on linen, 220 × 140 cm

Untitled, 2012, cyanotype on linen, 220 × 140 cm

Untitled, 2012, cyanotype on linen, 220 × 140 cm

Installation view A Place in the Sun, Clifton Benevento, New York, 2012

Installation view A Place in the Sun, Clifton Benevento, New York, 2012

Installation view A Place in the Sun, Clifton Benevento, New York, 2012

Installation view A Place in the Sun, Clifton Benevento, New York, 2012

CV

Hugh Scott-Douglas

*1988, Cambridge, England — Lives and works in New York

Education

2006 – 2010
BFA in Sculpture, OCAD, Toronto, Canada

2005
MFA, Pratt Institute, Brooklyn, USA

Solo Exhibitions

2018
฿o₫៛€$, Blum & Poe, Los Angeles 

2016
Trade Winds, Casey Kaplan, New York, NY
Hugh Scott-Douglas, Tochigi Prefectural Museum of Fine Arts, Tochigi

2015
Hugh Scott-Douglas, Rosenwald – Wolf Gallery @ The University of the Art, Philadelphia
Hugh Scott-Douglas, Simon Lee, Hong Kong
Consumables, Simon Lee Gallery, London
Hugh Scott-Douglas, Blum & Poe, New York

2014
Promises to Pay in Solid Substance, Jessica Silverman, San Francisco
eyes without a face, Croy Nielsen, Berlin
Broken Mule, KaiKai KiKi, Tokyo

2013
Chopped Bills, Torn Cheques, Bit Rot, Art Basel Statement (with Jessica Silverman)
The Cabinet of Dr. Caligari, Blum & Poe, Los Angeles

2012
greek (with Ben Schumacher), Croy Nielsen, Berlin
A Place in the Sun, Clifton Beneveto, New York
A Cashed Cheque, A Cancelled Stamp, Jessica Silverman Gallery, San Francisco, USA

2011
Sitzprobe, Croy Nielsen, Berlin, Germany
Electrum (with Ben Schumacher), Reference, Richmond
Forms and Inflections, Silverman Gallery, San Francisco
Chinese Whispers, Clint Roenisch, Toronto

2010
Absolutely (in collaboration with Liam Crockard), Clint Roenisch, Toronto
An Invitation to Lubberland, Clint Roenisch, Toronto,

Selected Group Exhibitions

2016
The Sun Placed in the Abyss, Columbus Museum of Art, Colombus
Money, Good and Evil. A Visual History of Economics, Staatliche Kunsthalle Baden-Baden, Baden-Baden
Winter 2015: Collected Works, Rennie Museum, Vancouver
Cyanotypes: Photography’s Blue Period, Worcester Art Museum, Worcester, MA

2015
Faux Amis, Simon Lee Gallery, London
Out of Office, MCA Chicago, Chicago
I AM ATTRACTED NONE THE LESS…, Casey Kaplan Gallery, New York
Open Source: Art at the Eclipse of Capitalism, Max Hetzler, Berlin Paris
Stars & Stripes: American Art of the 21st Century from the Goldberg Collection, Museums & Galleries of NSW, Sydney
Unfixed: New Paintings, ASU Art Museum, Tempe

2014
Bloomington: mall of America, north side food court, across from Burger King & the bank of payphones that don’t take incoming calls, Bortolami, New York
Altarations: Built, Blended, Processed, Florida Atlantic University, Boca Raton
Stars & Stripes: American Art of the 21st Century from the Goldberg Collection, Museums & Galleries of NSW, Sydney
In___We Trust: Art and Money, Columbus Museum of Art, Columbus
White is the Warmest Color, Hedge Gallery, San Francisco
In Transit: Between Image and Object, MASS MoCA, North Adams
Walk the Line, Simon Lee Gallery, Hong Kong
NEXT, Arsenal, Montréal

2013
Phantom Sun, Bugada & Cargnel, Paris
Architecture Undigested, FUSED, San Francisco
Pattern: Follow The Rules, Eli and Edythe Broad Art Museum at Michigan State University, East Lansing

2012
Trans/​FORM-​Matter as subject > New Perspectives, Museum of Contemporary Canadian Art, Toronto
Greek (collaboration with Ben Schumacher), Croy Nielsen, Berlin, Germany
The boundaries of seeing, LAX Art, Los Angeles
Second Nature: Abstract Photography Then and Now, de Cordova Sculpture Park and Museum, Lincoln
Plug-In ICA, Winnipeg, Canada Liminal Boundaries, Luce Gallery, Turin
Phases, Wallspace, New York
A Painting is a Painting is a Painting, Cul-De-Sac Gallery, London

2011
Into the Surface, Brand New Gallery, Milano
Electrum, (collaboration with Ben Schumacher), Reference, Richmond
Forms and Inflections, Silverman, San Francisco
Color Me Badd, Nudashank, Baltimore
Liminal Boundaries, Luce Gallery, Torino
Like Minded, (Curated by Micah Lexier), Plug-in ICA, Winnipeg

2010
Parts Of A Hole, Xpace, Toronto
What Brings The Dust Together, New Gallery, London
Absolutely, (collaboration with Liam Crockard), Clint Roenisch, Toronto
Bad Sculpture, Young Art, Los Angeles

2009
Bless This Mess, Deleon White Gallery, Toronto, Canada
Henry Moore, Constantin Brâncusi & Patrick Swayze in that scene from that movie Ghost, 91 Brandon Ave., Toronto
Double Dutch, Scott Projects, Chicago
Seminal Hex, Studio Gallery, Toronto

2008
Incidental Architectures, Transit Space, Toronto

Publications

2016
Cyanotypes: Photography’s Blue Period, edited by Kristina Burns and Nancy Kathryn, Worcester Art Museum, Worcester
Money, Good and Evil: A Visual History of the Economy, edited by Johan Holten, published by Kerber Verlag, Bielefeld 
The Sun Placed in the Abyss, edited by Nick Liptak, Columbus Museum of Art, Columbus 

2014
In ___ We Trust: Art and Money, edited by Tyler Cann, Nannette Maciejunes, Christoppher Duckworth and Erica Anderson, Columbus Museum of Art, Columbus 

2013
Chipped Bills, Torn Cheques, Bit Rot, edited by Kyle Morrison and Hugh Scott-Douglas, Jessica Silverman Gallery, San Francisco

2012
Hugh Scott-Douglas: Cyanotypes, published by Mousse, Milan

Selected Press

2018
Valinsky, Michael, Making Art from Global Trade Routes”, Hyperallergic, March 3

2017
Wilson, Michael, Hugh Scott-Douglas: Casey Kaplan” Artforum 55, January, no. 5, p. 217. 

2016
Loos, Ted, Cyanotype, Photograph’s Blue Period, Is Making a Comeback.” New York Times, February 5 

2015
Whyte, Murray, Sterling Rd. gets an artistic polish”, The Star, September 29
Williams, Maxwell, 8 Emerging Artists to Watch Right Now”, Details (Art blog), July 9
Black, Paul, Barbara Kruger, Robert Fraser, and Hugh Scott-Douglas: London West End Exhibition Round-up”, Artlyst​.com, February 13
Boyland, Stuart, Hugh Scott-Douglas: Consumables at Simon Lee Gallery”, The​up​com​ing​.co​.uk, February 5
Rachlin, Natalia, New Work by Hugh Scott-Douglas at Simon Lee Gallery”, Architectural Digest, February 4

2014
Baker, Kenneth, Hugh Scott-Douglas Mourns the Image”, San Francisco Chronicle, September 19
Chu, Christie, Wall Street Bankers Love Art about Money”, Art​net​.com, October 21
Kondo, Ryosuke, Hugh Scott-Douglas: Combining Everyday Materials to Visualize and Purify the Latent Images Within”, Bijutsu Techo 66, April, no. 1002, p. 128 – 31
Sonara, Francesca, Hugh Scott-Douglas Takes on Ama​zon​.com at Jessica Silverman Gallery”, Blouinart​in​fo​.com, October 25
Thaddeus-Johns, Josie, The Mechanics of Money: In Conversation with Hugh Scott-Douglas”, Sleek​-mag​.com, May 5

2013
Prickett, Sarah Nicole, Three’s a Trend: Art That’s All About the Money…Literally”, T Magazine blog, December 10
Fox, James, The Meteoric Rise of Blue,” Flaunt Magazine, September
Roberts, John, A Moment with Hugh Scott-Douglas,” The Travel Almanac, spring/​summer, no. 5, p. 60 – 62
Fox, Emily Ellis, Hugh Scott-Douglas”, Modern Painters 25, April, no. 4, p. 84 – 85
Shaw, Michael, Hugh Scott-Douglas.” ArtScene 32, February, no. 6, p. 21
Canada’s Top 30 under 30”, Art​in​fo​.com, January 30
Sandals, Leah, Hugh Scott-Douglas on Toronto, Los Angeles & What’s Next”, Cana​di​a​nart​.com, January 18
Goodden, Sky, Canada’s 2013 Artist to Watch: Hugh Scott-Douglas”, Art​in​fo​.com, January 9
Mohseni, Yasmine, 10 Must-See L.A. Gallery Exhibitions Opening in January”, Art​in​fo​.com, January 8
William, Maxwell, Discovery: Hugh Scott-Douglas”, Inter​view​.com, January 4

2012 
Aletti, Vince, Hugh Scott-Douglas at Clifton Benevento”, New Yorker, January 27
Katrib, Ruba, Exposed Surfaces”, Mousse, April/​May, no. 33, p.138 – 141

Images

Hugh Scott-Douglas

*1988, Cambridge, England — Lives and works in New York

Installation view, Tochigi Prefectural Museum of Fine Arts, Tochigi, Japan, 2016

Installation view, Tochigi Prefectural Museum of Fine Arts, Tochigi, Japan, 2016

Installation view, Tochigi Prefectural Museum of Fine Arts, Tochigi, Japan, 2016

Installation view, Tochigi Prefectural Museum of Fine Arts, Tochigi, Japan, 2016

Installation view, Tochigi Prefectural Museum of Fine Arts, Tochigi, Japan, 2016

Installation view, Tochigi Prefectural Museum of Fine Arts, Tochigi, Japan, 2016

Untitled, 2013, 80 slides, slide projector, dimensions variable

Untitled, 2013, 80 slides, slide projector, dimensions variable

Untitled, 2013, 80 slides, slide projector, dimensions variable

Untitled, 2013, 80 slides, slide projector, dimensions variable

Installation view Consumables, Simon Lee, London, 2015

Installation view Consumables, Simon Lee, London, 2015

Untitled, 2014, two direct to substrate prints on aluminium, each: 203.2 × 134.6 cm, overall: 203.2 × 269.2

Untitled, 2014, two direct to substrate prints on aluminium, each: 203.2 × 134.6 cm, overall: 203.2 × 269.2

Chopped Bills, 2014, dyesublimation on linen, 200 × 300 × 3 cm

Chopped Bills, 2014, dyesublimation on linen, 200 × 300 × 3 cm

Chopped Bills, 2014, dyesublimation on line, 200 × 200 cm × 3 cm

Chopped Bills, 2014, dyesublimation on line, 200 × 200 cm × 3 cm

Untitled, 2013, UV curable ink on panel, 203 × 305 cm (three parts)

Untitled, 2013, UV curable ink on panel, 203 × 305 cm (three parts)

Broken Mule, 2013, UV curable ink on wood, dye sublimation on poly-silk, polyester resin, 93 × 106.5 × 32 cm

Broken Mule, 2013, UV curable ink on wood, dye sublimation on poly-silk, polyester resin, 93 × 106.5 × 32 cm

Broken Mule, 2013, UV curable ink on wood, dye sublimation on poly-silk, polyester resin, 213.5 × 30.5 × 30.5 cm

Broken Mule, 2013, UV curable ink on wood, dye sublimation on poly-silk, polyester resin, 213.5 × 30.5 × 30.5 cm

Installation view In Transit: Between Image and Object, MASS MoCA, North Adams, 2014

Installation view In Transit: Between Image and Object, MASS MoCA, North Adams, 2014

Chopped Bills, 2013, dye sublimation print on linen, 203 × 508 cm (five parts)

Chopped Bills, 2013, dye sublimation print on linen, 203 × 508 cm (five parts)

Installation view The Cabinet of Dr. Caligari, Blum and Poe, Los Angeles, 2013

Installation view The Cabinet of Dr. Caligari, Blum and Poe, Los Angeles, 2013

Installation view The Cabinet of Dr. Caligari, Blum and Poe, Los Angeles, 2013

Installation view The Cabinet of Dr. Caligari, Blum and Poe, Los Angeles, 2013

Chopped Bill and Torn Cheque, 2013, dyesublimation on linen and laser-cut on gessoed canvas, 203 × 203 × 3 cm

Chopped Bill and Torn Cheque, 2013, dyesublimation on linen and laser-cut on gessoed canvas, 203 × 203 × 3 cm

Untitled, 2012, cyanotype on linen, 220 × 140 cm

Untitled, 2012, cyanotype on linen, 220 × 140 cm

Untitled, 2012, cyanotype on linen, 220 × 140 cm

Untitled, 2012, cyanotype on linen, 220 × 140 cm

Installation view A Place in the Sun, Clifton Benevento, New York, 2012

Installation view A Place in the Sun, Clifton Benevento, New York, 2012

Installation view A Place in the Sun, Clifton Benevento, New York, 2012

Installation view A Place in the Sun, Clifton Benevento, New York, 2012

CV

Hugh Scott-Douglas

*1988, Cambridge, England — Lives and works in New York

Education

2006 – 2010
BFA in Sculpture, OCAD, Toronto, Canada

2005
MFA, Pratt Institute, Brooklyn, USA

Solo Exhibitions

2018
฿o₫៛€$, Blum & Poe, Los Angeles 

2016
Trade Winds, Casey Kaplan, New York, NY
Hugh Scott-Douglas, Tochigi Prefectural Museum of Fine Arts, Tochigi

2015
Hugh Scott-Douglas, Rosenwald – Wolf Gallery @ The University of the Art, Philadelphia
Hugh Scott-Douglas, Simon Lee, Hong Kong
Consumables, Simon Lee Gallery, London
Hugh Scott-Douglas, Blum & Poe, New York

2014
Promises to Pay in Solid Substance, Jessica Silverman, San Francisco
eyes without a face, Croy Nielsen, Berlin
Broken Mule, KaiKai KiKi, Tokyo

2013
Chopped Bills, Torn Cheques, Bit Rot, Art Basel Statement (with Jessica Silverman)
The Cabinet of Dr. Caligari, Blum & Poe, Los Angeles

2012
greek (with Ben Schumacher), Croy Nielsen, Berlin
A Place in the Sun, Clifton Beneveto, New York
A Cashed Cheque, A Cancelled Stamp, Jessica Silverman Gallery, San Francisco, USA

2011
Sitzprobe, Croy Nielsen, Berlin, Germany
Electrum (with Ben Schumacher), Reference, Richmond
Forms and Inflections, Silverman Gallery, San Francisco
Chinese Whispers, Clint Roenisch, Toronto

2010
Absolutely (in collaboration with Liam Crockard), Clint Roenisch, Toronto
An Invitation to Lubberland, Clint Roenisch, Toronto,

Selected Group Exhibitions

2016
The Sun Placed in the Abyss, Columbus Museum of Art, Colombus
Money, Good and Evil. A Visual History of Economics, Staatliche Kunsthalle Baden-Baden, Baden-Baden
Winter 2015: Collected Works, Rennie Museum, Vancouver
Cyanotypes: Photography’s Blue Period, Worcester Art Museum, Worcester, MA

2015
Faux Amis, Simon Lee Gallery, London
Out of Office, MCA Chicago, Chicago
I AM ATTRACTED NONE THE LESS…, Casey Kaplan Gallery, New York
Open Source: Art at the Eclipse of Capitalism, Max Hetzler, Berlin Paris
Stars & Stripes: American Art of the 21st Century from the Goldberg Collection, Museums & Galleries of NSW, Sydney
Unfixed: New Paintings, ASU Art Museum, Tempe

2014
Bloomington: mall of America, north side food court, across from Burger King & the bank of payphones that don’t take incoming calls, Bortolami, New York
Altarations: Built, Blended, Processed, Florida Atlantic University, Boca Raton
Stars & Stripes: American Art of the 21st Century from the Goldberg Collection, Museums & Galleries of NSW, Sydney
In___We Trust: Art and Money, Columbus Museum of Art, Columbus
White is the Warmest Color, Hedge Gallery, San Francisco
In Transit: Between Image and Object, MASS MoCA, North Adams
Walk the Line, Simon Lee Gallery, Hong Kong
NEXT, Arsenal, Montréal

2013
Phantom Sun, Bugada & Cargnel, Paris
Architecture Undigested, FUSED, San Francisco
Pattern: Follow The Rules, Eli and Edythe Broad Art Museum at Michigan State University, East Lansing

2012
Trans/​FORM-​Matter as subject > New Perspectives, Museum of Contemporary Canadian Art, Toronto
Greek (collaboration with Ben Schumacher), Croy Nielsen, Berlin, Germany
The boundaries of seeing, LAX Art, Los Angeles
Second Nature: Abstract Photography Then and Now, de Cordova Sculpture Park and Museum, Lincoln
Plug-In ICA, Winnipeg, Canada Liminal Boundaries, Luce Gallery, Turin
Phases, Wallspace, New York
A Painting is a Painting is a Painting, Cul-De-Sac Gallery, London

2011
Into the Surface, Brand New Gallery, Milano
Electrum, (collaboration with Ben Schumacher), Reference, Richmond
Forms and Inflections, Silverman, San Francisco
Color Me Badd, Nudashank, Baltimore
Liminal Boundaries, Luce Gallery, Torino
Like Minded, (Curated by Micah Lexier), Plug-in ICA, Winnipeg

2010
Parts Of A Hole, Xpace, Toronto
What Brings The Dust Together, New Gallery, London
Absolutely, (collaboration with Liam Crockard), Clint Roenisch, Toronto
Bad Sculpture, Young Art, Los Angeles

2009
Bless This Mess, Deleon White Gallery, Toronto, Canada
Henry Moore, Constantin Brâncusi & Patrick Swayze in that scene from that movie Ghost, 91 Brandon Ave., Toronto
Double Dutch, Scott Projects, Chicago
Seminal Hex, Studio Gallery, Toronto

2008
Incidental Architectures, Transit Space, Toronto

Publications

2016
Cyanotypes: Photography’s Blue Period, edited by Kristina Burns and Nancy Kathryn, Worcester Art Museum, Worcester
Money, Good and Evil: A Visual History of the Economy, edited by Johan Holten, published by Kerber Verlag, Bielefeld 
The Sun Placed in the Abyss, edited by Nick Liptak, Columbus Museum of Art, Columbus 

2014
In ___ We Trust: Art and Money, edited by Tyler Cann, Nannette Maciejunes, Christoppher Duckworth and Erica Anderson, Columbus Museum of Art, Columbus 

2013
Chipped Bills, Torn Cheques, Bit Rot, edited by Kyle Morrison and Hugh Scott-Douglas, Jessica Silverman Gallery, San Francisco

2012
Hugh Scott-Douglas: Cyanotypes, published by Mousse, Milan

Selected Press

2018
Valinsky, Michael, Making Art from Global Trade Routes”, Hyperallergic, March 3

2017
Wilson, Michael, Hugh Scott-Douglas: Casey Kaplan” Artforum 55, January, no. 5, p. 217. 

2016
Loos, Ted, Cyanotype, Photograph’s Blue Period, Is Making a Comeback.” New York Times, February 5 

2015
Whyte, Murray, Sterling Rd. gets an artistic polish”, The Star, September 29
Williams, Maxwell, 8 Emerging Artists to Watch Right Now”, Details (Art blog), July 9
Black, Paul, Barbara Kruger, Robert Fraser, and Hugh Scott-Douglas: London West End Exhibition Round-up”, Artlyst​.com, February 13
Boyland, Stuart, Hugh Scott-Douglas: Consumables at Simon Lee Gallery”, The​up​com​ing​.co​.uk, February 5
Rachlin, Natalia, New Work by Hugh Scott-Douglas at Simon Lee Gallery”, Architectural Digest, February 4

2014
Baker, Kenneth, Hugh Scott-Douglas Mourns the Image”, San Francisco Chronicle, September 19
Chu, Christie, Wall Street Bankers Love Art about Money”, Art​net​.com, October 21
Kondo, Ryosuke, Hugh Scott-Douglas: Combining Everyday Materials to Visualize and Purify the Latent Images Within”, Bijutsu Techo 66, April, no. 1002, p. 128 – 31
Sonara, Francesca, Hugh Scott-Douglas Takes on Ama​zon​.com at Jessica Silverman Gallery”, Blouinart​in​fo​.com, October 25
Thaddeus-Johns, Josie, The Mechanics of Money: In Conversation with Hugh Scott-Douglas”, Sleek​-mag​.com, May 5

2013
Prickett, Sarah Nicole, Three’s a Trend: Art That’s All About the Money…Literally”, T Magazine blog, December 10
Fox, James, The Meteoric Rise of Blue,” Flaunt Magazine, September
Roberts, John, A Moment with Hugh Scott-Douglas,” The Travel Almanac, spring/​summer, no. 5, p. 60 – 62
Fox, Emily Ellis, Hugh Scott-Douglas”, Modern Painters 25, April, no. 4, p. 84 – 85
Shaw, Michael, Hugh Scott-Douglas.” ArtScene 32, February, no. 6, p. 21
Canada’s Top 30 under 30”, Art​in​fo​.com, January 30
Sandals, Leah, Hugh Scott-Douglas on Toronto, Los Angeles & What’s Next”, Cana​di​a​nart​.com, January 18
Goodden, Sky, Canada’s 2013 Artist to Watch: Hugh Scott-Douglas”, Art​in​fo​.com, January 9
Mohseni, Yasmine, 10 Must-See L.A. Gallery Exhibitions Opening in January”, Art​in​fo​.com, January 8
William, Maxwell, Discovery: Hugh Scott-Douglas”, Inter​view​.com, January 4

2012 
Aletti, Vince, Hugh Scott-Douglas at Clifton Benevento”, New Yorker, January 27
Katrib, Ruba, Exposed Surfaces”, Mousse, April/​May, no. 33, p.138 – 141