Croy Nielsen

Marie Lund

Images

Marie Lund, installation view Sous le regard de machines pleines d’amour et de grâce, Palais de Tokyo, Paris, 2017

Marie Lund, installation view Sous le regard de machines pleines d’amour et de grâce, Palais de Tokyo, Paris, 2017

Marie Lund, installation view Sous le regard de machines pleines d’amour et de grâce, Palais de Tokyo, Paris, 2017

Marie Lund, installation view Sous le regard de machines pleines d’amour et de grâce, Palais de Tokyo, Paris, 2017

Marie Lund, installation view Sous le regard de machines pleines d’amour et de grâce, Palais de Tokyo, Paris, 2017

Marie Lund, installation view Sous le regard de machines pleines d’amour et de grâce, Palais de Tokyo, Paris, 2017

Marie Lund, installation view Sous le regard de machines pleines d’amour et de grâce, Palais de Tokyo, Paris, 2017

Marie Lund, installation view Sous le regard de machines pleines d’amour et de grâce, Palais de Tokyo, Paris, 2017

Marie Lund, installation view  wow! Woven? Entering the (sub)Textiles, Künstlerhaus Halle für Kunst, Graz, 2015

Marie Lund, installation view wow! Woven? Entering the (sub)Textiles, Künstlerhaus Halle für Kunst, Graz, 2015

Marie Lund, installation view  wow! Woven? Entering the (sub)Textiles, Künstlerhaus Halle für Kunst, Graz, 2015

Marie Lund, installation view wow! Woven? Entering the (sub)Textiles, Künstlerhaus Halle für Kunst, Graz, 2015

Marie Lund, installation view, Art Now, Tate Britain, London, 2015

Marie Lund, installation view, Art Now, Tate Britain, London, 2015

Marie Lund, installation view, Art Now, Tate Britain, London, 2015

Marie Lund, installation view, Art Now, Tate Britain, London, 2015

Marie Lund, installation view, Flush, Badischer Kunstverein, Karlsruhe, 2015

Marie Lund, installation view, Flush, Badischer Kunstverein, Karlsruhe, 2015

Marie Lund, Torso, 2014, Concrete and Cotton, 140 × 50 × 14 cm

Marie Lund, Torso, 2014, Concrete and Cotton, 140 × 50 × 14 cm

Marie Lund, installation view, Flush, Badischer Kunstverein, Karlsruhe, 2015

Marie Lund, installation view, Flush, Badischer Kunstverein, Karlsruhe, 2015

Marie Lund, installation view Back Pack, Proyectos Monclova, Mexico City, 2013

Marie Lund, installation view Back Pack, Proyectos Monclova, Mexico City, 2013

Marie Lund, installation view Back Pack, Proyectos Monclova, Mexico City, 2013

Marie Lund, installation view Back Pack, Proyectos Monclova, Mexico City, 2013

Marie Lund, installation view Back Pack, Proyectos Monclova, Mexico City, 2013

Marie Lund, installation view Back Pack, Proyectos Monclova, Mexico City, 2013

Marie Lund, Mask, 2013, Bronce, 7 × 27 × 16 cm

Marie Lund, Mask, 2013, Bronce, 7 × 27 × 16 cm

Marie Lund, installation View Handstand, Imo-Projects, Copenhagen, 2013

Marie Lund, installation View Handstand, Imo-Projects, Copenhagen, 2013

Marie Lund, installation View Handstand, Imo-Projects, Copenhagen, 2013

Marie Lund, installation View Handstand, Imo-Projects, Copenhagen, 2013

Marie Lund, The Very White Marble, 2012, carved wooden figure, 38 × 20 × 25 cm

Marie Lund, The Very White Marble, 2012, carved wooden figure, 38 × 20 × 25 cm

Marie Lund, Level, 2012, marbel, wool carpet, 82 × 52 × 20 cm

Marie Lund, Level, 2012, marbel, wool carpet, 82 × 52 × 20 cm

CV

Marie Lund

*1976, Denmark — Lives and works in London

Education

Royal College of Art, London

Solo Exhibitions

2017
Holsterbro Kunstmuseum, Denmark (upcoming)

2016
scout, Jose Garcia, Merida, Mexico

2015
PIT, Croy Nielsen, Berlin
Flush, Badischer Kunstverein, Karlsruhe

2014
Dip, Laura Bartlett Gallery, London
Drums, Museo Marino Marini, Florence

2013
Back Pack, Proyectos Monclova, Mexico City
Handstand, IMO Projects, Copenhagen

2012
Clickety Click, Croy Nielsen, Berlin
Two Pages (four sides), Copenhagen (with Åbäcke)
End On, Christian Andersen Gallery, Copenhagen

2011
Two Ways to Fall, Proyectos Monclova, Mexico
Turtles, Laura Bartlett Gallery, London
Bob Dylan, Bob Dylan, Boba Dylana (3 person show with Jiri Kovanda and Nina Beier), DOX, Prague

2010
Frieze Sculpture Park, Curated by David Thorp
The Object Lessons (curated by Christophe Gallois, 2 person show with Nina Beier), Mudam, Luxembourg

2009 – Duo Exhibitions with Nina Beier
The Object Lessons, De Vleeshal, Middelburg, curated by Lorenzo Benedetti
The Testimony, Les Sabots…, Nomas Foundation, Rome, curated by Ilaria Gianni and Cecilia Canziani
Permanent Collection, Croy Nielsen, Berlin
Loss and Cause, Projectos Monclova, Mexico City

2008 – Duo Exhibitions with Nina Beier
Two Women, Laura Bartlett Gallery, London
Nina Beier and Marie Lund, Limoncello, London, as part of in-Betweens by The Hut Project
All The Best, Co-curated with Vincent Honore for David Roberts Foundation, London
A Circular Play, Braunschweig Kunstverein, curated by Ursula Schondeling
Good Fences, Solo show with Chosil Kil, Galleri Opdahl, Stavanger, Norway
A Circular Play (A Play in Circles), Wako Works of Art, Tokyo

2007 – Duo Exhibitions with Nina Beier
Dance Like I Do, Center for Contemporary Art, Aarhus, curated Thorsten Sadowsky
Dance Like I Do, Overgaden Institute of Contemporary Art, Copenhagen, curated by Henriette Bretton Meyer

2006 – Duo Exhibitions with Nina Beier
You Us Or You Me, M+R Gallery, London, curated by Cecile Nusselein Graversen
You Us Or You Me, Spacex – Center for Contemporary Art, Exeter, curated by Nicola Hood
Socialny Pokusy, Display Gallery, Prague
Do You Ever Think Of Me Naked, Bank Gallery, Paris, with artist Chosil Kil

2005 – Duo Exhibitions with Nina Beier
It’s Not Me, It’s You, M+R Gallery, London

2004 – Duo Exhibitions with Nina Beier
Drums Or Guitars I, Hockney Gallery, London
You Like Me, M+R Gallery, London

Selected Group Exhibitions

2017
Sous le regard de machines pleines d’amour et de grâce, Palais de Tokyo, Paris

2016
Behind the curtain. Concealment and Revelation since the Renaissance, Museum Kunstpalats, Düsseldorf
Here Nor There, Gillmeier Rech, Berlin
A Faraway Rendez-vous, SixtyEight Art Institute, Copenhagen
As If, At Home, BOX Freiraum, Berlin
Vanilla and Concrete, Tate Britain, London
Acquisitions Récentes, Frac Franche – Comté, France
The Lasting. L’intervallo e la durata, GNAM, Rome
Naïve Set Theory, P420, Bologna
La Camera, Palazzo De Toschi, Bologna

2015
Art Now, Tate Britain, London
wow! Woven? Entering the (sub)Textiles, Künstlerhaus Halle für Kunst, Graz
One Hour Long Exhibition, South London Gallery, London
Groupshow curated by Airbnb-pavillion, Fondazione Sandretto Re Rebaudengo, Turin
The Camera’s Blind Spot II, Extra City Kunsthal Antwerp, Antwerp
Dealing with surfaces, GAK Gesellschaft für aktuelle Kunst, Bremen
L’usage des formes (The use of shapes), Palais de Tokyo, Paris

2014
Living in the Material World, Galerie im Taxispalais, Innsbruck
A Picture is no Substitute, Seventeen Gallery, London
Stone, Northern Gallery for Contemporary Art, Sunderland
The Roof Holding The Walls Together, Le Noveau Festival de Centre Pompidou, 5th Edition, Centre Pompidou, Paris
Living in the Material World, Kunstmuseen Krefeld, Haus Esters, Haus Lange, Krefeld
Group show, Susanne Ottesen, Copenhagen

2013
Motor: Bettina Buck invites Marie Lund, Spacex, London
AB, a Project by Gabriele De Santis, NOMAS Foundation, Rome
(One hour) long exhibition, Round House, Vilnius, with Chosil Kil
Chaque chose en son temps, Frac Franche-Comté, curated by Béatrice Balcou
Flat Bed, 3-person show with Benjamin Hirte and Rolf Nowotny, Joe Sheftel Gallery. New York
The Made-up Shrimp Hardly Enlightens Some Double Kisses, Laurel Gitlen, New York
I Salute the Potter’s Clay, curated by Eve Smith and Gemma Lloyd, Galeria Czarna, Warsaw
Two person show with Benjamin Hirte, curated by Olivian Chan, Worksited, Central Library of LAPL, Los Angeles
When Attitudes Became Form Become Attitudes, curated by Jens Hoffmann, Museum of Contemporary Art Detroit, Detroit
Ground. Materiality #2 (earth), curated by Brigitte Kirkhoff, Sorø Kunstmuseum, Sorø, Denmark
Cast Recording, curated by Liv Barrett, Prism, Los Angeles
It’s Over There, Simone Subal Gallery, New York
(One hour) long exhibition, New York Gallery, NYC, with Chosil Kil and Francesco Pedraglio
Can’t Hear My Eyes, curated by Niekolaas Johannes Lekkerkerk, Nogueras Blanchard, Madrid
Cast Recording, Prism, Los Angeles

2012
Beyond the Object, Brand New Gallery, Milano
When Attitudes Became Form Become Attitudes, CCA Wattis, San Francisco
Group show, Czarna, Warsaw
House of Leaves, DRAF, London
From Stavanger with Love, Galleri Opdahl, Stavanger
Group show, A.P.T. Gallery, London
Beyond Word, GAK Gesellschaft für Aktuelle Kunst, Bremen
Formes Bréves, Autres, Frac Lorraine, MARCO, Vigo Spain
A wavy line is drawn across the middle of the original plans, Kölnischer Kunstverein, Cologne
L’entre deux: des savoirs bouleversés (4 études: Aurelien, Froment, Marie Lund, Melvin Moti, Benjamin Seror. Formes, récits, musées), Kunsthalle Mulhouse
Who Am I? What Am I Doing Here?, Shanaynay, Paris

2011
Under Destruction I, The Swiss Institute, New York
(One hour) long exhibition, Supplement Gallery, London
No Day without a Temperament, Galerie Emanuel Layr, Vienna
Les Statues Meurent Aussi, Galleria Suzy Shammah, Milan
The Event, The 29th Biennial of Graphic Arts, Ljubljana
Young London, V22, London
Somiglianze Non Sensibili (curated by Cecilia Canziani), Galleri Opdahl, Berlin
Inauguration Show, Croy Nielsen, Berlin
Paysages avec Objets Absents, Kunsthalle Freiburg

2010 – Solo Work
Best Laid Plans, Drawing Room, London, curated by Cylena Simmonds
Best Laid Plans, event, Tate Modern, London, 12 Nov, curated by Cylena Simmonds
Somiglianze Non Sensibili, Galleri Opdahl, Norway, curated by Cecilia Canziani
Could We Also Be Temporarily, 21rozendaal Centre for Contemporary Art, curated by Nathanja van Dijk
Tumult, Public art festival, Lolland Falster, Denmark, Aug-Nov

2010 – Duo Work with Nina Beier
Under Destruction, Museum Tinguely, Basel, The Swiss Institute, New York, curated by Chris Sharp and Gianni Jetzer
À l’ombré d’un Doute, Frac Lorraine, Metz
Among the Nightingales, Tatton Park Biennial, Screening programme, curated by Clarissa Corfe
A Never Ending Story, Copenhagen
History of Art, The, DRAF, London, curated by Mihnea Mircan
In Which the Wind is Also a Protagonist, La Generale, Sevres, curated by Chris Sharp
Book Show, Eastside Projects, Birmingham, curated by James Langdon and Gavin Wade
Collection 02, De Vleeshal Kabinetten, Middelburg
A Very Very Long Cat, Wallspace, New York
Gestures, The Museum of Contemporary Art, Roskilde, curated by Sanne Kofod Olsen
Gallery, Gallerie, Galleria, Norma Mangoine Gallery, Turin, curated by Adam Carr
Performative Strategies, Kunsthaus Glarus, Switzerland, curated by Alexandra Blättler

2009 – Duo Work with Nina Beier
Suns Neither Rise Nor Set, Hockney Gallery, Royal College of Art, London
Momentum: Nordic Biennial, Moss, Norway, curated by Lorenzo Benedetti
Sniper, Galerie Biedermann, Munich, Germany, curated by Thomas Kratz
Collective Spirits, Four Boxes Gallery, Krabbesholm, Denmark, curated by Johanne Løgstrup
A Sensed Pertubation, Murray Guy, New York
We Would Like To Thank (Again)…, Anne Barrault, Paris
The Wall of the Sky, The Wall of the Eye, About Change Collection, Berlin, curated by Christiane Rekade
The Announcement, event, ICA, London, event curated by Isla Leaver-Yap
Artissima, Present Future, Croy Nielsen, curated by Adam Carr, Turin
Audio, Video, Disco, curated by David Bussel, Kunsthalle Zürich
Getting Even – Oppositions and Dialogues, Lewis Glucksman Gallery, Cork, Kunstverein Hannover, curated by Matt Packer
Don’t Expect Anything, Francesca Minini, Milan
Berlin-Paris, GB Agency, Paris, curated by Croy Nielsen
Fragile Currency, Klemms Gallery, Berlin, Germany, curated by Ilaria Gianni
Rank, Leeds City Art Gallery, Leeds, Northern Gallery for Contemporary Art , curated by Alistair Robinson
La Notte, Kunsthalle Mulhouse, Mulhouse, France, curated by Lorenzo Benedetti
Reduction & Suspense, Kunstverien Bregenz, Bregenz, curated by Eva Kraus and Tilo Schultz

2008 – Duo Work with Nina Beier
What is my name, curated by Lorenzo Bruni, Hisk, Gent
Insoluables Solides, Betonsalon, Paris, Curated by Cyril Dietrich
Oh, A Show, Showroom Platform, Basel, curated by Annette Amberg
Behind, Monitor Gallery, Rome, curated by Ilaria Gianni
Nought To Sixty, Institute of Contemporary Art, London, curated by Richard Birkett
Nordic Artand Experimental Film, Malmo Konsthall, film programme curated by Johanna Billing
Playtime, Betonsalon, Paris, curated by Melanie Bouteloup and Gregory Castera
I have nothing to say and I am saying it, Platform Seoul, curated by Sunjung Kim, Seoul
U-Turn, Quadriennale in Copenhagen
Eurasia, MART Museo di Arte Moderna e Contemporanea di Trento e Rovereto
Weisses Lächeln, Croy Nielsen, Berlin
Notes Concernant les Objects qui sont sur la Table de Cuisine, guest in show by Sean Edwards, Super, Paris
Past Forward, 176 Gallery, London
Participation, Galerie Martin Janda, Vienna
Presence, Tony Wight Gallery, Chicago
When I Was A Little Boy…, Klatovy, guest in solo show by Jiri Kovanda
Video Sequence 3, La Maison des Arts de Malakoff
Laughing In A Foreign Language, Hayward Gallery, London, curated by Mami Kataoka
The Self-To-Other Ratio, TWS, Tokyo
The Unfair Fair, Rome, curated by Vincent Honoré and Cecilia Canziani
This Way (Danish Contemporary Photography), Brandts Museum for Photography, Odense
From a Distance, Wallspace, New York, curated by Vincent Honore

2007 – Duo Work with Nina Beier
Reminiscence of a Strike Action and We Grown-Ups…, Scolthead, London, curated by Isobel Harbison and Vanessa Desclaux
The Parralax Crew, Museo Internazionale della Musica, Bologne, July, curated by Xana
Kudrjavcev-DeMilner and Lupe Nunez-Fernandez
Actions & Interruptions, Tate Modern, London, curated by Catherine Wood
The Play Me Series, Bergen Kunsthall Landmark, Bergen, Norway, event and film commissioned by Anne Szefer Karlsen
The Play Me Series, Elizabeth Leach Gallery, Portland, curated by Harrell Fletcher
The Difference Between Humans & Walls and The Division, Tate Britain, London, curated by Heidi Reitmaier
Collectivity, Yerba Buena Center for the Arts, San Francisco, curated by Joseph del Pesco
Abstract Things, Laura Bartlett Gallery, London, curated by Harrell Fletcher
This Modern Life, Senko, Viborg, curated by Faye Dowling
Parade

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Images

Marie Lund

*1976, Denmark — Lives and works in London

Marie Lund, installation view Sous le regard de machines pleines d’amour et de grâce, Palais de Tokyo, Paris, 2017

Marie Lund, installation view Sous le regard de machines pleines d’amour et de grâce, Palais de Tokyo, Paris, 2017

Marie Lund, installation view Sous le regard de machines pleines d’amour et de grâce, Palais de Tokyo, Paris, 2017

Marie Lund, installation view Sous le regard de machines pleines d’amour et de grâce, Palais de Tokyo, Paris, 2017

Marie Lund, installation view Sous le regard de machines pleines d’amour et de grâce, Palais de Tokyo, Paris, 2017

Marie Lund, installation view Sous le regard de machines pleines d’amour et de grâce, Palais de Tokyo, Paris, 2017

Marie Lund, installation view Sous le regard de machines pleines d’amour et de grâce, Palais de Tokyo, Paris, 2017

Marie Lund, installation view Sous le regard de machines pleines d’amour et de grâce, Palais de Tokyo, Paris, 2017

Marie Lund, installation view  wow! Woven? Entering the (sub)Textiles, Künstlerhaus Halle für Kunst, Graz, 2015

Marie Lund, installation view wow! Woven? Entering the (sub)Textiles, Künstlerhaus Halle für Kunst, Graz, 2015

Marie Lund, installation view  wow! Woven? Entering the (sub)Textiles, Künstlerhaus Halle für Kunst, Graz, 2015

Marie Lund, installation view wow! Woven? Entering the (sub)Textiles, Künstlerhaus Halle für Kunst, Graz, 2015

Marie Lund, installation view, Art Now, Tate Britain, London, 2015

Marie Lund, installation view, Art Now, Tate Britain, London, 2015

Marie Lund, installation view, Art Now, Tate Britain, London, 2015

Marie Lund, installation view, Art Now, Tate Britain, London, 2015

Marie Lund, installation view, Flush, Badischer Kunstverein, Karlsruhe, 2015

Marie Lund, installation view, Flush, Badischer Kunstverein, Karlsruhe, 2015

Marie Lund, Torso, 2014, Concrete and Cotton, 140 × 50 × 14 cm

Marie Lund, Torso, 2014, Concrete and Cotton, 140 × 50 × 14 cm

Marie Lund, installation view, Flush, Badischer Kunstverein, Karlsruhe, 2015

Marie Lund, installation view, Flush, Badischer Kunstverein, Karlsruhe, 2015

Marie Lund, installation view Back Pack, Proyectos Monclova, Mexico City, 2013

Marie Lund, installation view Back Pack, Proyectos Monclova, Mexico City, 2013

Marie Lund, installation view Back Pack, Proyectos Monclova, Mexico City, 2013

Marie Lund, installation view Back Pack, Proyectos Monclova, Mexico City, 2013

Marie Lund, installation view Back Pack, Proyectos Monclova, Mexico City, 2013

Marie Lund, installation view Back Pack, Proyectos Monclova, Mexico City, 2013

Marie Lund, Mask, 2013, Bronce, 7 × 27 × 16 cm

Marie Lund, Mask, 2013, Bronce, 7 × 27 × 16 cm

Marie Lund, installation View Handstand, Imo-Projects, Copenhagen, 2013

Marie Lund, installation View Handstand, Imo-Projects, Copenhagen, 2013

Marie Lund, installation View Handstand, Imo-Projects, Copenhagen, 2013

Marie Lund, installation View Handstand, Imo-Projects, Copenhagen, 2013

Marie Lund, The Very White Marble, 2012, carved wooden figure, 38 × 20 × 25 cm

Marie Lund, The Very White Marble, 2012, carved wooden figure, 38 × 20 × 25 cm

Marie Lund, Level, 2012, marbel, wool carpet, 82 × 52 × 20 cm

Marie Lund, Level, 2012, marbel, wool carpet, 82 × 52 × 20 cm

CV

Marie Lund

*1976, Denmark — Lives and works in London

Education

Royal College of Art, London

Solo Exhibitions

2017
Holsterbro Kunstmuseum, Denmark (upcoming)

2016
scout, Jose Garcia, Merida, Mexico

2015
PIT, Croy Nielsen, Berlin
Flush, Badischer Kunstverein, Karlsruhe

2014
Dip, Laura Bartlett Gallery, London
Drums, Museo Marino Marini, Florence

2013
Back Pack, Proyectos Monclova, Mexico City
Handstand, IMO Projects, Copenhagen

2012
Clickety Click, Croy Nielsen, Berlin
Two Pages (four sides), Copenhagen (with Åbäcke)
End On, Christian Andersen Gallery, Copenhagen

2011
Two Ways to Fall, Proyectos Monclova, Mexico
Turtles, Laura Bartlett Gallery, London
Bob Dylan, Bob Dylan, Boba Dylana (3 person show with Jiri Kovanda and Nina Beier), DOX, Prague

2010
Frieze Sculpture Park, Curated by David Thorp
The Object Lessons (curated by Christophe Gallois, 2 person show with Nina Beier), Mudam, Luxembourg

2009 – Duo Exhibitions with Nina Beier
The Object Lessons, De Vleeshal, Middelburg, curated by Lorenzo Benedetti
The Testimony, Les Sabots…, Nomas Foundation, Rome, curated by Ilaria Gianni and Cecilia Canziani
Permanent Collection, Croy Nielsen, Berlin
Loss and Cause, Projectos Monclova, Mexico City

2008 – Duo Exhibitions with Nina Beier
Two Women, Laura Bartlett Gallery, London
Nina Beier and Marie Lund, Limoncello, London, as part of in-Betweens by The Hut Project
All The Best, Co-curated with Vincent Honore for David Roberts Foundation, London
A Circular Play, Braunschweig Kunstverein, curated by Ursula Schondeling
Good Fences, Solo show with Chosil Kil, Galleri Opdahl, Stavanger, Norway
A Circular Play (A Play in Circles), Wako Works of Art, Tokyo

2007 – Duo Exhibitions with Nina Beier
Dance Like I Do, Center for Contemporary Art, Aarhus, curated Thorsten Sadowsky
Dance Like I Do, Overgaden Institute of Contemporary Art, Copenhagen, curated by Henriette Bretton Meyer

2006 – Duo Exhibitions with Nina Beier
You Us Or You Me, M+R Gallery, London, curated by Cecile Nusselein Graversen
You Us Or You Me, Spacex – Center for Contemporary Art, Exeter, curated by Nicola Hood
Socialny Pokusy, Display Gallery, Prague
Do You Ever Think Of Me Naked, Bank Gallery, Paris, with artist Chosil Kil

2005 – Duo Exhibitions with Nina Beier
It’s Not Me, It’s You, M+R Gallery, London

2004 – Duo Exhibitions with Nina Beier
Drums Or Guitars I, Hockney Gallery, London
You Like Me, M+R Gallery, London

Selected Group Exhibitions

2017
Sous le regard de machines pleines d’amour et de grâce, Palais de Tokyo, Paris

2016
Behind the curtain. Concealment and Revelation since the Renaissance, Museum Kunstpalats, Düsseldorf
Here Nor There, Gillmeier Rech, Berlin
A Faraway Rendez-vous, SixtyEight Art Institute, Copenhagen
As If, At Home, BOX Freiraum, Berlin
Vanilla and Concrete, Tate Britain, London
Acquisitions Récentes, Frac Franche – Comté, France
The Lasting. L’intervallo e la durata, GNAM, Rome
Naïve Set Theory, P420, Bologna
La Camera, Palazzo De Toschi, Bologna

2015
Art Now, Tate Britain, London
wow! Woven? Entering the (sub)Textiles, Künstlerhaus Halle für Kunst, Graz
One Hour Long Exhibition, South London Gallery, London
Groupshow curated by Airbnb-pavillion, Fondazione Sandretto Re Rebaudengo, Turin
The Camera’s Blind Spot II, Extra City Kunsthal Antwerp, Antwerp
Dealing with surfaces, GAK Gesellschaft für aktuelle Kunst, Bremen
L’usage des formes (The use of shapes), Palais de Tokyo, Paris

2014
Living in the Material World, Galerie im Taxispalais, Innsbruck
A Picture is no Substitute, Seventeen Gallery, London
Stone, Northern Gallery for Contemporary Art, Sunderland
The Roof Holding The Walls Together, Le Noveau Festival de Centre Pompidou, 5th Edition, Centre Pompidou, Paris
Living in the Material World, Kunstmuseen Krefeld, Haus Esters, Haus Lange, Krefeld
Group show, Susanne Ottesen, Copenhagen

2013
Motor: Bettina Buck invites Marie Lund, Spacex, London
AB, a Project by Gabriele De Santis, NOMAS Foundation, Rome
(One hour) long exhibition, Round House, Vilnius, with Chosil Kil
Chaque chose en son temps, Frac Franche-Comté, curated by Béatrice Balcou
Flat Bed, 3-person show with Benjamin Hirte and Rolf Nowotny, Joe Sheftel Gallery. New York
The Made-up Shrimp Hardly Enlightens Some Double Kisses, Laurel Gitlen, New York
I Salute the Potter’s Clay, curated by Eve Smith and Gemma Lloyd, Galeria Czarna, Warsaw
Two person show with Benjamin Hirte, curated by Olivian Chan, Worksited, Central Library of LAPL, Los Angeles
When Attitudes Became Form Become Attitudes, curated by Jens Hoffmann, Museum of Contemporary Art Detroit, Detroit
Ground. Materiality #2 (earth), curated by Brigitte Kirkhoff, Sorø Kunstmuseum, Sorø, Denmark
Cast Recording, curated by Liv Barrett, Prism, Los Angeles
It’s Over There, Simone Subal Gallery, New York
(One hour) long exhibition, New York Gallery, NYC, with Chosil Kil and Francesco Pedraglio
Can’t Hear My Eyes, curated by Niekolaas Johannes Lekkerkerk, Nogueras Blanchard, Madrid
Cast Recording, Prism, Los Angeles

2012
Beyond the Object, Brand New Gallery, Milano
When Attitudes Became Form Become Attitudes, CCA Wattis, San Francisco
Group show, Czarna, Warsaw
House of Leaves, DRAF, London
From Stavanger with Love, Galleri Opdahl, Stavanger
Group show, A.P.T. Gallery, London
Beyond Word, GAK Gesellschaft für Aktuelle Kunst, Bremen
Formes Bréves, Autres, Frac Lorraine, MARCO, Vigo Spain
A wavy line is drawn across the middle of the original plans, Kölnischer Kunstverein, Cologne
L’entre deux: des savoirs bouleversés (4 études: Aurelien, Froment, Marie Lund, Melvin Moti, Benjamin Seror. Formes, récits, musées), Kunsthalle Mulhouse
Who Am I? What Am I Doing Here?, Shanaynay, Paris

2011
Under Destruction I, The Swiss Institute, New York
(One hour) long exhibition, Supplement Gallery, London
No Day without a Temperament, Galerie Emanuel Layr, Vienna
Les Statues Meurent Aussi, Galleria Suzy Shammah, Milan
The Event, The 29th Biennial of Graphic Arts, Ljubljana
Young London, V22, London
Somiglianze Non Sensibili (curated by Cecilia Canziani), Galleri Opdahl, Berlin
Inauguration Show, Croy Nielsen, Berlin
Paysages avec Objets Absents, Kunsthalle Freiburg

2010 – Solo Work
Best Laid Plans, Drawing Room, London, curated by Cylena Simmonds
Best Laid Plans, event, Tate Modern, London, 12 Nov, curated by Cylena Simmonds
Somiglianze Non Sensibili, Galleri Opdahl, Norway, curated by Cecilia Canziani
Could We Also Be Temporarily, 21rozendaal Centre for Contemporary Art, curated by Nathanja van Dijk
Tumult, Public art festival, Lolland Falster, Denmark, Aug-Nov

2010 – Duo Work with Nina Beier
Under Destruction, Museum Tinguely, Basel, The Swiss Institute, New York, curated by Chris Sharp and Gianni Jetzer
À l’ombré d’un Doute, Frac Lorraine, Metz
Among the Nightingales, Tatton Park Biennial, Screening programme, curated by Clarissa Corfe
A Never Ending Story, Copenhagen
History of Art, The, DRAF, London, curated by Mihnea Mircan
In Which the Wind is Also a Protagonist, La Generale, Sevres, curated by Chris Sharp
Book Show, Eastside Projects, Birmingham, curated by James Langdon and Gavin Wade
Collection 02, De Vleeshal Kabinetten, Middelburg
A Very Very Long Cat, Wallspace, New York
Gestures, The Museum of Contemporary Art, Roskilde, curated by Sanne Kofod Olsen
Gallery, Gallerie, Galleria, Norma Mangoine Gallery, Turin, curated by Adam Carr
Performative Strategies, Kunsthaus Glarus, Switzerland, curated by Alexandra Blättler

2009 – Duo Work with Nina Beier
Suns Neither Rise Nor Set, Hockney Gallery, Royal College of Art, London
Momentum: Nordic Biennial, Moss, Norway, curated by Lorenzo Benedetti
Sniper, Galerie Biedermann, Munich, Germany, curated by Thomas Kratz
Collective Spirits, Four Boxes Gallery, Krabbesholm, Denmark, curated by Johanne Løgstrup
A Sensed Pertubation, Murray Guy, New York
We Would Like To Thank (Again)…, Anne Barrault, Paris
The Wall of the Sky, The Wall of the Eye, About Change Collection, Berlin, curated by Christiane Rekade
The Announcement, event, ICA, London, event curated by Isla Leaver-Yap
Artissima, Present Future, Croy Nielsen, curated by Adam Carr, Turin
Audio, Video, Disco, curated by David Bussel, Kunsthalle Zürich
Getting Even – Oppositions and Dialogues, Lewis Glucksman Gallery, Cork, Kunstverein Hannover, curated by Matt Packer
Don’t Expect Anything, Francesca Minini, Milan
Berlin-Paris, GB Agency, Paris, curated by Croy Nielsen
Fragile Currency, Klemms Gallery, Berlin, Germany, curated by Ilaria Gianni
Rank, Leeds City Art Gallery, Leeds, Northern Gallery for Contemporary Art , curated by Alistair Robinson
La Notte, Kunsthalle Mulhouse, Mulhouse, France, curated by Lorenzo Benedetti
Reduction & Suspense, Kunstverien Bregenz, Bregenz, curated by Eva Kraus and Tilo Schultz

2008 – Duo Work with Nina Beier
What is my name, curated by Lorenzo Bruni, Hisk, Gent
Insoluables Solides, Betonsalon, Paris, Curated by Cyril Dietrich
Oh, A Show, Showroom Platform, Basel, curated by Annette Amberg
Behind, Monitor Gallery, Rome, curated by Ilaria Gianni
Nought To Sixty, Institute of Contemporary Art, London, curated by Richard Birkett
Nordic Artand Experimental Film, Malmo Konsthall, film programme curated by Johanna Billing
Playtime, Betonsalon, Paris, curated by Melanie Bouteloup and Gregory Castera
I have nothing to say and I am saying it, Platform Seoul, curated by Sunjung Kim, Seoul
U-Turn, Quadriennale in Copenhagen
Eurasia, MART Museo di Arte Moderna e Contemporanea di Trento e Rovereto
Weisses Lächeln, Croy Nielsen, Berlin
Notes Concernant les Objects qui sont sur la Table de Cuisine, guest in show by Sean Edwards, Super, Paris
Past Forward, 176 Gallery, London
Participation, Galerie Martin Janda, Vienna
Presence, Tony Wight Gallery, Chicago
When I Was A Little Boy…, Klatovy, guest in solo show by Jiri Kovanda
Video Sequence 3, La Maison des Arts de Malakoff
Laughing In A Foreign Language, Hayward Gallery, London, curated by Mami Kataoka
The Self-To-Other Ratio, TWS, Tokyo
The Unfair Fair, Rome, curated by Vincent Honoré and Cecilia Canziani
This Way (Danish Contemporary Photography), Brandts Museum for Photography, Odense
From a Distance, Wallspace, New York, curated by Vincent Honore

2007 – Duo Work with Nina Beier
Reminiscence of a Strike Action and We Grown-Ups…, Scolthead, London, curated by Isobel Harbison and Vanessa Desclaux
The Parralax Crew, Museo Internazionale della Musica, Bologne, July, curated by Xana
Kudrjavcev-DeMilner and Lupe Nunez-Fernandez
Actions & Interruptions, Tate Modern, London, curated by Catherine Wood
The Play Me Series, Bergen Kunsthall Landmark, Bergen, Norway, event and film commissioned by Anne Szefer Karlsen
The Play Me Series, Elizabeth Leach Gallery, Portland, curated by Harrell Fletcher
The Difference Between Humans & Walls and The Division, Tate Britain, London, curated by Heidi Reitmaier
Collectivity, Yerba Buena Center for the Arts, San Francisco, curated by Joseph del Pesco
Abstract Things, Laura Bartlett Gallery, London, curated by Harrell Fletcher
This Modern Life, Senko, Viborg, curated by Faye Dowling
Parade