Education

Royal College of Art, London

Solo Exhibitions

2024
O Rose, Duo with Rosalin Nashashibi, Den Frie, Copenhagen 

2023
bldngs, Botanical Garden, Copenhagen

2021
The Falling, Kunstmuseum St. Gallen

2020
The Apartment, Croy Nielsen, Vienna

2019
Løbende Kontakt, Kunstscenen, Copenhagen (duo show w. Jesper List Thomsen)
The Thirst, Nicolai Wallner, Copenhagen

2018
Face to Back, Croy Nielsen, Vienna
Grip, José García, Mexico City

2017
Legumes, Holstebro Kunstmuseum, Denmark

2016
scout, Jose Garcia, Merida, Mexico

2015
PIT, Croy Nielsen, Berlin
Flush, Badischer Kunstverein, Karlsruhe

2014
Dip, Laura Bartlett Gallery, London
Drums, Museo Marino Marini, Florence

2013
Back Pack, Proyectos Monclova, Mexico City
Handstand, IMO Projects, Copenhagen

2012
Clickety Click, Croy Nielsen, Berlin
Two Pages (four sides), Copenhagen (w. Åbäcke)
End On, Christian Andersen Gallery, Copenhagen

2011
Two Ways to Fall, Proyectos Monclova, Mexico
Turtles, Laura Bartlett Gallery, London
Bob Dylan, Bob Dylan, Boba Dylana (3 person show w. Jiri Kovanda and Nina Beier), DOX, Prague

2010
Frieze Sculpture Park, Curated by David Thorp
The Object Lessons, Mudam, Luxembourg (w. Nina Beier)

2009
The Object Lessons, De Vleeshal, Middelburg (w. Nina Beier)
The Testimony, Les Sabots…, Nomas Foundation, Rome (w. Nina Beier)
Permanent Collection, Croy Nielsen, Berlin (w. Nina Beier)
Loss and Cause, Projectos Monclova, Mexico City (w. Nina Beier)

2008
Two Women, Laura Bartlett Gallery, London (w. Nina Beier)
Nina Beier and Marie Lund, Limoncello, London, as part of in-Betweens by The Hut Project (w. Nina Beier)
All The Best, Co-curated with Vincent Honore for David Roberts Foundation, London (w. Nina Beier)
A Circular Play, Braunschweig Kunstverein (w. Nina Beier)
Good Fences, Solo Chosil Kil, Galleri Opdahl, Stavanger, Norway (w. Nina Beier)
A Circular Play (A Play in Circles), Wako Works of Art, Tokyo (w. Nina Beier)

2007
Dance Like I Do, Center for Contemporary Art, Aarhus (w. Nina Beier)
Dance Like I Do, Overgaden Institute of Contemporary Art, Copenhagen (w. Nina Beier)
 

Selected Group Exhibitions

2022
Deep Horizons, The Robert Institute of Art (collaboration with Middlesbrough Institute of Modern Art), London
Routes and Routines, Martina Simeti, Milan
Form Follows Energy, LAGO / ALGO, OMR, Mexico City

2021
The Legacy, Anne Marie Carl Nielsen, Den Frie Udstillingsbygning, Copenhagen
At the End of the Rainbow, Arken Museum of Modern Art, Ishøj
Transitive Objects, COSAR HMT, Düsseldorf

2020
So wie wir sind 2.0, Weserburg Museum für Moderne Kunst, Bremen 
Transparent Things, Goldsmith’s CCA, London 

2019
Atypical Curated Project (Chinese Whispers), Meessen De Clerq, Brussels 
Foncteur d’oubli, Plateau, Frac Île-de-France, Paris

2018
Spirit Painting, Peana Projects, Monterrey
What do you dream of? The Mohole Flower and other tales, Galerie Luisa Strina, Sao Paulo
One Hour Long Exhibition (w. Chosil Kil), Le Plateau, Paris

2017
Casa Miller, Galerie Allen, Paris
Sous le regard de machines pleines d’amour et de grâce, Palais de Tokyo, Paris

2016
Behind the curtain. Concealment and Revelation since the Renaissance, Museum Kunstpalats, Düsseldorf
Here Nor There, Gillmeier Rech, Berlin
A Faraway Rendez-vous, SixtyEight Art Institute, Copenhagen
Acquisitions Récentes, Frac Franche – Comté, France
The Lasting. L’intervallo e la durata, GNAM, Rome
Naïve Set Theory, P420, Bologna
La Camera, Palazzo De Toschi, Bologna

2015
Art Now, Tate Britain, London
wow! Woven? Entering the (sub)Textiles, Künstlerhaus Halle für Kunst, Graz
One Hour Long Exhibition, South London Gallery, London
Groupshow curated by Airbnb-pavillion, Fondazione Sandretto Re Rebaudengo, Turin
The Camera’s Blind Spot II, Extra City Kunsthal Antwerp, Antwerp
Dealing with surfaces, GAK Gesellschaft für aktuelle Kunst, Bremen
L’usage des formes (The use of shapes), Palais de Tokyo, Paris

2014
Living in the Material World, Galerie im Taxispalais, Innsbruck
A Picture is no Substitute, Seventeen Gallery, London
Stone, Northern Gallery for Contemporary Art, Sunderland
The Roof Holding The Walls Together, Le Noveau Festival de Centre Pompidou, 5^th Edition, Centre Pompidou, Paris
Living in the Material World, Kunstmuseen Krefeld, Haus Esters, Haus Lange, Krefeld
Group show, Susanne Ottesen, Copenhagen
Frieze Sculpture Park, London

2013
Motor: Bettina Buck invites Marie Lund, Spacex, London
AB, a Project by Gabriele De Santis, NOMAS Foundation, Rome
One Hour Long Exhibition, Round House, Vilnius, with Chosil Kil
Chaque chose en son temps, Frac Franche-Comté, curated by Béatrice Balcou
Flat Bed (3‑person show with Benjamin Hirte and Rolf Nowotny), Joe Sheftel Gallery. New York
The Made-up Shrimp Hardly Enlightens Some Double Kisses, Laurel Gitlen, New York
Worksited, (two person show with Benjamin Hirte), Worksited, Central Library of LAPL, Los Angeles
When Attitudes Became Form Become Attitudes, Museum of Contemporary Art Detroit, Detroit
Ground. Materiality #2 (earth), Sorø Kunstmuseum, Sorø, Denmark
It’s Over There, Simone Subal Gallery, New York
One Hour Long Exhibition, New York Gallery, NYC, (w. Chosil Kil and Francesco Pedraglio)
Can’t Hear My Eyes, Nogueras Blanchard, Madrid

2012
When Attitudes Became Form Become Attitudes, CCA Wattis, San Francisco
House of Leaves, DRAF, London
Beyond Word, GAK Gesellschaft für Aktuelle Kunst, Bremen
Formes Bréves, Autres, Frac Lorraine, MARCO, Vigo Spain
A wavy line is drawn across the middle of the original plans, Kölnischer Kunstverein, Cologne
L’entre deux: des savoirs bouleversés (4 études: Aurelien, Froment, Marie Lund, Melvin Moti, Benjamin Seror. Formes, récits, musées), Kunsthalle Mulhouse
Who Am I? What Am I Doing Here?, Shanaynay, Paris

2011
Under Destruction I, The Swiss Institute, New York
One Hour Long Exhibition, Supplement Gallery, London, with Chosil Kil, Johannes Lund, Tobias Kirstein
No Day without a Temperament, Galerie Emanuel Layr, Vienna
Les Statues Meurent Aussi, Galleria Suzy Shammah, Milan
The Event, The 29^th Biennial of Graphic Arts, Ljubljana
Young London, V22, London
Somiglianze Non Sensibili, Galleri Opdahl, Berlin
Inauguration Show, Croy Nielsen, Berlin
Paysages avec Objets Absents, Kunsthalle Freiburg

2010
Frieze Sculpture Park, London
Best Laid Plans, Drawing Room, London
Best Laid Plans, event, Tate Modern, London
Somiglianze Non Sensibili, Galleri Opdahl, Stavanger
Tumult, Public art festival, Lolland Falster, Denmark, Aug-Nov

2010
Under Destruction, Museum Tinguely, Basel, The Swiss Institute, New York, curated by Chris Sharp and Gianni Jetzer
À l’ombré d’un Doute, Frac Lorraine, Metz
A Never Ending Story, Copenhagen
History of Art, The, DRAF, London, curated by Mihnea Mircan
In Which the Wind is Also a Protagonist, La Generale, Sevres, curated by Chris Sharp
Collection 02, De Vleeshal Kabinetten, Middelburg
A Very Very Long Cat, Wallspace, New York
Gestures, The Museum of Contemporary Art, Roskilde, curated by Sanne Kofod Olsen
Gallery, Gallerie, Galleria, Norma Mangoine Gallery, Turin, curated by Adam Carr
Performative Strategies, Kunsthaus Glarus, Switzerland, curated by Alexandra Blättler

2009
Suns Neither Rise Nor Set, Hockney Gallery, Royal College of Art, London
Momentum: Nordic Biennial, Moss, Norway, curated by Lorenzo Benedetti
Sniper, Galerie Biedermann, Munich, Germany, curated by Thomas Kratz
Collective Spirits, Four Boxes Gallery, Krabbesholm, Denmark, curated by Johanne Løgstrup
A Sensed Perturbation, Murray Guy, New York
We Would Like To Thank (Again)…, Anne Barrault, Paris
The Wall of the Sky, The Wall of the Eye, About Change Collection, Berlin, curated by Christiane Rekade
The Announcement, event, ICA, London, event curated by Isla Leaver-Yap
Artissima, Present Future, Croy Nielsen, curated by Adam Carr, Turin
Audio, Video, Disco, curated by David Bussel, Kunsthalle Zürich
Getting Even – Oppositions and Dialogues, Lewis Glucksman Gallery, Cork, Kunstverein Hannover, curated by Matt Packer
Don’t Expect Anything, Francesca Minini, Milan
Berlin-Paris, GB Agency, Paris, curated by Croy Nielsen
Fragile Currency, Klemms Gallery, Berlin, Germany, curated by Ilaria Gianni
Rank, Leeds City Art Gallery, Leeds, Northern Gallery for Contemporary Art , curated by Alistair Robinson
La Notte, Kunsthalle Mulhouse, Mulhouse, France, curated by Lorenzo Benedetti
Reduction & Suspense, Kunstverien Bregenz, Bregenz, curated by Eva Kraus and Tilo Schultz

2008
What is my name, curated by Lorenzo Bruni, Hisk, Gent
Insoluables Solides, Betonsalon, Paris, Curated by Cyril Dietrich
Oh, A Show, Showroom Platform, Basel, curated by Annette Amberg
Behind, Monitor Gallery, Rome, curated by Ilaria Gianni
Nought To Sixty, Institute of Contemporary Art, London, curated by Richard Birkett
Nordic Artand Experimental Film, Malmo Konsthall, film programme curated by Johanna Billing
Playtime, Betonsalon, Paris, curated by Melanie Bouteloup and Gregory Castera
I have nothing to say and I am saying it, Platform Seoul, curated by Sunjung Kim, Seoul
U‑Turn, Quadriennale in Copenhagen
Eurasia, MART Museo di Arte Moderna e Contemporanea di Trento e Rovereto
Weisses Lächeln, Croy Nielsen, Berlin
Past Forward, 176 Gallery, London
Participation, Galerie Martin Janda, Vienna
Presence, Tony Wight Gallery, Chicago
When I Was A Little Boy…, Klatovy, guest in solo show by Jiri Kovanda
Video Sequence 3, La Maison des Arts de Malakoff
Laughing In A Foreign Language, Hayward Gallery, London, curated by Mami Kataoka
The Unfair Fair, Rome, curated by Vincent Honoré and Cecilia Canziani
This Way (Danish Contemporary Photography), Brandts Museum for Photography, Odense
From a Distance, Wallspace, New York, curated by Vincent Honore

2007
Reminiscence of a Strike Action and We Grown-Ups…, Scolthead, London, curated by Isobel Harbison and Vanessa Desclaux
The Parralax Crew, Museo Internazionale della Musica, Bologne, curated by Xana Kudrjavcev-DeMilner and Lupe Nunez-Fernandez
Actions & Interruptions, Tate Modern, London, curated by Catherine Wood
The Play Me Series, Bergen Kunsthall Landmark, Bergen, Norway, event and film commissioned by Anne Szefer Karlsen
The Play Me Series, Elizabeth Leach Gallery, Portland, curated by Harrell Fletcher
The Difference Between Humans & Walls and The Division, Tate Britain, London, curated by Heidi Reitmaier
Collectivity, Yerba Buena Center for the Arts, San Francisco, curated by Joseph del Pesco
Abstract Things, Laura Bartlett Gallery, London, curated by Harrell Fletcher

Publications

2022
The Falling, Catalogue, Kunstmuseum St. Gallen, After 8 Books, Paris

2017
Scout, Artist Book, text by Jesper List Thomsen, MIDI/​Mousse Publishing, Milan

2016
Hinter dem Vorhang, Catalogue, Museum Kunspalast, published by Hirmer, Düsseldorf
The Lasting, Catalogue, edited by Saretto Cincinelli, Galleria Nazionale d’Arte Moderna e Contemporanea, Roma

2014
Drums, Artist Book, text by Pieternel Vermoortel, MIDI/​Mousse Publishing, Milan

2013
Ground. Materiality #2 (earth), Sorø Kunstmuseum, Sorø, Denmark

2012
The Object Lessons by Francesco Pedraglio, published by DeVleeshal and MUDAM on the occassion of Beyond Words GAK, Bremen

2011
Under Destruction, Museum Tinguely, Basel and the Swiss Institute, NYC
Turtles, Artist book, Mousse Publishing, Milan
History of Art, The, DRAF, London
We Have as Much Time as it Takes, CCA Wattis Institute for Contemporary Arts, San Francisco
Bob Dylan, Bob Dylan, Boba Dylana, Dox, Prague

2010
Best Laid Plans, Drawing Room, London
Gallery, Galerie, Galleria, Norma Mangione Gallery, Italy

2009
Momentum Nordic Biennial 2009, Norway
The Points #02, Croy Nielsen, Berlin, Germany
The Points #01, Proyectos Monclova, Mexico City, Mexico
Nought to Sixty, ICA, London, UK
Platform Seoul, Artsonje, Korea

2008
Eurasia, MART Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Italy

2007
This Way, Brandts Museum for Fotokunst, Denmark
Ny Dansk Kunst 2007, Kopenhagen, Denmark
Actions & Interruptions, Tate Modern, London

Selected Press

2024
Slimane, Hedi, ​“CELINE ART PROJECT”, October
Budzinski, Nathaniel, ​“Marie Lund and Rosalind Nashashibi’s Private Conversation”, Artreview, April

2021
Kyllönen, Rasmus, ​“Sculptures carry an ability to let something resonate in and around them.”, Collectors AgendaOnline, August

2015
Benschop, Jurriaan, ​“Marie Lund: Badischer Kunstverein”, Artforum, May

2014
Pieroni, Paul, ​“Marie Lund, Dip”, Art Review, December, p.124
Knapp, Ivan, ​“Marie Lund, Dip”, Aesthetica Blog, December
Schwarz, Gabrielle , ​“Marie Lund: Dip”, this is tomorrow, December
Hampton, Michael, ​“Artists’s Books: Sarah Jacobs: After Nature: Highlights / Marie Lund: Drums”, Art Monthly, July-August, No. 378
​“Marie Lund / Drums”, interview with Cecilia Canziani and Trine Friis Sørensen, ArtTextsPics, www​.atp​di​ary​.com, April

2013
Bell, Kirsty, ​“Marie Lund”, review, Frieze, issue 152, January /​February, p. 172
​“Marie Lund in Conversation with Romain Chenais”, Annual Magazine, Issue 5, September
​“Can’t hear my Eyes, at Nogueras Blanchard, Barcelona – Madrid”, Mousse Online, 18^th September

2012
​“Marie Lund, Clickety Click”, Mousse Magazine, 3 October
Canziani, Cecilia, ​“Marie Lund”, Spotlight, Cura. No. 12, Autumn

2011
Rittenbach, Kari, ​“Marie Lund”, Frieze, review, November

2010
Milliard, Coline, ​“Immaterial Girls”, feature/​interview, Modern Painters, October
Mircan, Mihnea. ​“Palpable Distance”, feature, Mousse, November

2009
Holm, Anna & Zenth, Torben, ​“Marie Lund”, interview, Kopenhagen, September
Jiri Kovanda Selection, Spike Art Magazine, October
​“Permanent Collection”, review, Artforum, June
Honore, Vincent, ​“Nina Beier and Marie Lund”, interview, Petunia, France, Summer
​“Nina Beier & Marie Lund”, interview, Artworld, July

2008
Beddoes, Alli, ​“Follow the Instructions”, Mousse, November
​“Nina Beier and Marie Lund – Performance Art”, feature, Fotograf, Prague, November
Alfonsi, Isabelle, ​“Nina Beier & Marie Lund Chez Laura Bartlett”, Zero Deux, Paris, November
​“Preview”, Art World, London, October
​“Focus London”, Flash Art, Italy October
​“The Glue and the Wedge – Conversation with Beier and Lund”, Arte e Critica, Italy, March
​“Nina Beier and Marie Lund”, So-en, Japan, March
​“Nina Beier and Marie Lund”, NO, Norway, February

2007
Wood, Catherine, ​“2007”, Artforum, December
Gilligan, Melanie, ​“Performance and its appropriations”, Artforum, June