Images
Art Basel Galleries
19. – 22. 6. 2025
Installation view Art Basel, 2025, from left to right: Olga Balema, Tomas Joshua Leth, photo by Dawn Blackman
Tomas Joshua Leth, Noor, 2025, oil and pastel on canvas, 180 × 360 cm, 185 × 365 × 7 cm (framed)
Installation view Art Basel, 2025, from left to right: B. Ingrid Olson, Olga Balema, Soshiro Matsubara, Elke Silvia Krystufek, photo by Dawn Blackman
![B. Ingrid Olson Judith’s Glyph [Clockwise is a Direction and so is South], 2012–2025, inkjet print and UV printed matboard in powder-coated aluminum frame, 61 × 40.6 × 3.2 cm](http://static.croynielsen.com/site/assets/files/5599/croy_nielsen_b_ingrid_olson_judiths_glyph_clockwise_is_a_direction_and_so_is_south_01.2100x0.1750001751.jpg)
B. Ingrid Olson Judith’s Glyph [Clockwise is a Direction and so is South], 2012–2025, inkjet print and UV printed matboard in powder-coated aluminum frame, 61 × 40.6 × 3.2 cm
B. Ingrid Olson, Draft of Errata (Hys), 2024, inkjet print and UV printed matboard in powder-coated aluminum frame, 68.6 × 45.7 × 3.2 cm
Installation view Art Basel, 2025, from left to right: B. Ingrid Olson, Olga Balema, Tomas Joshua Leth, photo by Dawn Blackman
Installation view Art Basel, 2025, from left to right: Ernst Yohji Jaeger, Soshiro Matsubara, Elke Silvia Krystufek, photo by Dawn Blackman
Ernst Yohji Jaeger, How to caress the moon, 2025, oil and charcoal on linen, 80 × 70 cm, 82 × 72 × 3.5 cm (framed)
Soshiro Matsubara, LIFE (Together Forever), 2023–2025, glazed ceramic, painted wood, glass ball, glue, brass, painted MDF, 87 × 65.5 × 15 cm, incl. plinth: 193 × 216 × 40 cm
Elke Silvia Krystufek, Another Person’s Face, 1997, black chalk on paper, 60 × 43.8 cm, 68.4 × 52.2 × 3 cm (framed)
Elke Silvia Krystufek, The postman, 1995, black chalk, Marker and Acrylic on Paper, 42 × 29.7 cm, 50.2 × 37.9 × 3 cm (framed)
Elke Silvia Krystufek, I’ll never will, 1998, black chalk and color pencil on paper, 63.9 × 49.9 cm, 72.1 × 58.1 × 3 cm (framed)